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X-WR-CALDESC:We strive to be the nexus for contemporary classical music, taking relish in every opportunity to let our composers’ music be heard.
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DTSTART:20260329T030000
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DTSTART;TZID=Europe/Amsterdam:20261108T170000
DTEND;TZID=Europe/Amsterdam:20261108T183000
DTSTAMP:20260918T120612Z
CREATED:20260918
LAST-MODIFIED:20260918
PRIORITY:5
SEQUENCE:2
TRANSP:OPAQUE
SUMMARY:Maxim Shalygin: Khôra
DESCRIPTION:The second concert in the “Vocal Parallels” series brings a fascinating dialogue between late 16th and early 17th-century English vocal music (Dowland, Byrd, Bull, and others) and the contemporary sounds of today.\nThe absolute highlight of the program is the performance of Khôra by the Dutch-Ukrainian composer Maxim Shalygin. This brand-new work for solo harpsichord was commissioned by Dmytro Kokoshynskyy at the end of 2025. Shalygin’s composition provides a bold, modern contrast to the historical repertoire, fully challenging the boundaries of the instrument.\nWoven around this solo work is a historical experiment: a reconstruction of Renaissance songs accompanied not by a lute, but by a harpsichord—a practice rarely heard today. This creates a thrilling dynamic on stage, where lutenist Eduardo Egüez and harpsichordist Dmytro Kokoshynskyy become both partners and rivals within the same vocal space, joined by tenor Zachary Wilder.\n
URL:https://donemus.nl/events/maxim-shalygin-khora-4/
LOCATION:Grünbergstrasse 7, 9000 St. Gallen, Switzerland
ATTACH;FMTTYPE=image/jpeg:https://donemus.nl/wp-content/uploads/2022/04/Maxim-Shalygin-10-by-Dmitry-Hai-scaled-e1649325637208.jpg
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