Inspired by the concept of entropy, this work for amplified harpsichord and multichannel electronics explores a state of disorder, randomness, and uncertainty through the multiplication of the harpsichord sound. My composition assembles several possible microscopic structures of the harpsichord(s) in a multilayered acoustic space. As a simulation, it represents the transformation of time at an accelerating tempo. The growing entropy of connections deepens the disorder of sounds, resulting in a slow agony of motion — the suffering of all things. The harpsichord sound becomes the sound of the universe dying.