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Canto Ostinato; in memoriam Simeon ten Holt

Tuesday, 24 January 2023   |   20:15 - 22:15

Canto Ostinato; in memoriam Simeon ten Holt

Simeon ten Holt 100!

Today we celebrate the centenary of Simeon ten Holt’s birthday. Jeroen and Sandra van Veen honor him together with the LP Duo. Ten Holt’s Canto Ostinato continues to fascinate and enchant.

  • Composer(s): Simeon ten Holt
  • Title(s) of the Work(s):

    Canto Ostinato

  • Performer, Ensemble or Orchestra: Jeroen & Sandra van Veen, LP DUO

Date

Jan 24 2023
Expired!

Time

20:15 - 22:15

More Info

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Location

Amsterdam, Concertgebouw
Amsterdam, Concertgebouw
Concertgebouwplein 10, 1071 LN Amsterdam
Website
http://concertgebouw.nl

Canto Ostinato; in memoriam Simeon ten Holt on Spotify

Canto Ostinato; in memoriam Simeon ten Holt on SoundCloud

Simeon ten Holt was born in Bergen on January 24, 1923. He studied piano and theory with Jakob van Domselaer (1890-1960). In 1949 he moved to Paris where he received lessons at the École Normale with Arthur Honegger and Darius Milhaud. From 1970 to 1987 he taught contemporary music at the Academy of Visual Arts in Arnhem.
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Simeon ten Holt Foundation and music publisher Donemus would like to draw your attention to the fact that 2023 will be the 100s anniversary of Simeon ten Holt’s birth…   
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What feels closer than the sound and expression of the human voice? PA’dam has a long tradition of performing pieces that were not originally intended for choir.
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Upcoming events

Wednesday, 14 May 2025. 20:15 - 22:30

Maxim Shalygin: Canto Inferno

Eighty-five years after the devastating bombing of May 14th, 1940, Rotterdam is a vital city that prefers to look ahead rather than over its shoulder. That is precisely why commemoration is so important, Lahav Shani believes: “Only when we know our origins can we stay on course.

Location

Rotterdam, Laurenskerk
Rotterdam, Laurenskerk
Grotekerkplein 27, 3011 GC Rotterdam
Website
https://laurenskerkrotterdam.nl

Wednesday, 14 May 2025. 19:00 - 21:00

Alla Zagaykevych: Mithe IV: K. S. (2011) for violin and electronics

Piece by Alla Zagaykevych for violin and electronics on the program of Ukrainian and Ukrainian-American composers. Program: Valentin SILVESTROV: Selection from Bagatelles (2005–2006) for solo piano Alla ZAHAYKEVICH: Mithe IV: K. S. (2011) for violin and electronics* Valentyn BIBIK: Little Concerto, op.

Location

Amherst, Massachusetts, The Drake, USA
Amherst, Massachusetts, The Drake, USA
Adres: 44 N Pleasant St, Amherst, MA 01002, USA
Website
https://www.thedrakeamherst.org

Thursday, 15 May 2025. 19:00 - 21:00

Victoria Vita Poleva: Anthem I

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Location

Rovaniemi, Korundi House of Music, Finland
Rovaniemi, Korundi House of Music, Finland
Lapinkävijäntie 4, 96100 Rovaniemi, Finland
Website
https://korundi.fi/en

Our Team’s Picks

Composers in the crosshairs of our attention

Composer

Maxim Shalygin

January 30, 1985

"Creativity is an unconscious act of insanity, in a burst of which the truth is born. No matter how beautiful or disgusting it may seem to people far from madness, its value is beyond doubt, both for the author and for those able to sense its invisible beauty. After all, gratitude for endless trials and suffering brings joy and blissful emptiness… Being shocked by music is about pain turning into beauty and getting under your skin, taking away your breath; about everything stopping to move. I want to be scratched inside by sound and experience the fleeting, invisible beauty." - Maxim Shalygin

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Composer

Celia Swart

Celia Swart (1994, NL) is a new music composer, saxophone player and visual artist. Growing up playing saxophone and piano, she found her love for composing.
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Composer

Michael Fine

Education Michael has a degree in English Literature from the State University of New York. Despite having no formal music education, he has an active international career in several aspects of the music business.
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Composer

Jan-Peter de Graaff

Netherlands, 1992,
"De Graaff is een alleskunner en een echte en helder opflitsende komeet aan het muzikale firmament die aan niemand ongemerkt voorbij kan gaan." - Maarten Brandt, Opus Klassiek
"De Graaff is een tovenaar met orkestkleuren in een taal die weliswaar van nu is, maar harmonisch ook vaak vertrouwd klinkt." - Paul Herruer, Dagblad van het Noorden
"De Graaffs grootste kracht schuilt in een paradox: stilstand die zindert van spanning." - Guido van Oorschot, De Volkskrant 
 
"Zijn muziek is in essentie atonaal, maar doordat ze niet is doodgesystematiseerd en De Graaff in de contouren en het verloop van zijn melodieën nog steeds romantisch durft te zijn, wordt de luisteraar met zachte, maar dwingende hand meegevoerd in het abstracte verhaal dat hij wil vertellen. Een grote troef is hierbij zijn orkestratiekunst. De muziek is kleurrijk, blijft altijd helder en verrassend." - Erik Voermans, Het Parool
 
"Had iemand mij van te voren voorspeld dat in een programma van Bach, Bartók en Jan-Peter de Graaff het stuk van de laatste mij het meest zou boeien, dan had ik dat niet geloofd. - Dingeman van Wijnen, Friesch Dagblad
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