DCV 304 – Hanna Kulenty: E for E

Hanna Kulenty (born on March 18, 1961 in Białystok, Poland) is a Polish composer of contemporary classical music.

The 2022 Paderewski Lecture-Recital celebrates Hanna Kulenty (b. 1961), a brilliant contemporary composer who divides time between her native Poland, the Netherlands and France. With works commissioned and performed by renowned ensembles and musicians throughout Europe, Kulenty’s catalogue ranges from intimate solo explorations of form to large-scale triumphs of ensemble sound.

Ensemble Klang’s The Big Loud Thing In honor of the 50th anniversary of the iconic Orkest De Volharding, the street orchestra of Louis Andriessen and Willem Breuker, Ensemble Klang presents a series of free pop-up concerts in which the music of De Volharding is central.

In ‘Verbum Creationis’ Jakub Sarwas combines traditional values ​​with modern means of expression: orchestral music with electronics. The premiere of this DRP commissioned work was already planned for 2021 and can now be rescheduled.

Sinfonietta Cracovia hails from the historic city of Kraków where the Polish kings once resided. The chamber orchestra makes its Muziekgebouw debut with American minimalist music and closely related accessible Polish music. Polish composer Hanna Kulenty, a student of Louis Andriessen in the 1980s, wrote a new work for trumpet and string orchestra.

Celia Swart (1994, NL) is a new music composer, saxophone player and visual artist. Growing up playing saxophone and piano, she found her love for composing.

Education Michael has a degree in English Literature from the State University of New York. Despite having no formal music education, he has an active international career in several aspects of the music business.

"Creativity is an unconscious act of insanity, in a burst of which the truth is born. No matter how beautiful or disgusting it may seem to people far from madness, its value is beyond doubt, both for the author and for those able to sense its invisible beauty. After all, gratitude for endless trials and suffering brings joy and blissful emptiness… Being shocked by music is about pain turning into beauty and getting under your skin, taking away your breath; about everything stopping to move. I want to be scratched inside by sound and experience the fleeting, invisible beauty." - Maxim Shalygin