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Aftab Darvishi: ‘Dance with Me Under the Falling Ruins’

Sunday, 26 January 2025   |   19:30 - 22:00

Aftab Darvishi: ‘Dance with Me Under the Falling Ruins’

Premiere by Aftab Darvishi who got a special Festival Commission 2025 by the Brundibar Art Festival. 

Program ‘In Exile’: 

S. Rachmaninov – Arrangement of Mussorgsky’s Hopak

E. Toch – String Trio op. 63

R. Kahn – 3 pieces for cello op. 25

F. Chopin – Ballade no. 1

B. Martinu – Fantasia H 301

Aftab Darvishi: ‘Dance with Me Under the Falling Ruins’ (commissioned by the Brundibar Art Festival)

  • Composer(s) Aftab Darvishi
  • Title(s) of the Work(s)

    new work
  • Performer, Ensemble or Orchestra Violin: Alexandra Soumm, Alexandra Raikhlina, Viola: Dana Zemtsov, Cello: Bartholomew LaFollette, Piano: Katya Apekisheva, Anthony Hewitt, Oboe: Michael O’Donnell, Theremin: Lydia Kavina

Date

Jan 26 2025
Expired!

Time

19:30 - 22:00

More Info

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Location

Newcastle upon Tyne, King's Hall, Newcastle University, UK
Newcastle upon Tyne, King's Hall, Newcastle University, UK
Newcastle upon Tyne NE1 7RU, UK
Website
https://www.ncl.ac.uk/events/live-music/

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Aftab Darvishi: ‘Dance with Me Under the Falling Ruins’ on Spotify

Aftab Darvishi: ‘Dance with Me Under the Falling Ruins’ on SoundCloud


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Composer

Aftab Darvishi

Aftab Darvishi (Tehran, 1987) started taking violin lessons when she was five. Later on the kamancheh (an Iranian bowed string instrument) and the piano followed.
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Upcoming events

Tuesday, 30 September 2025. 19:30 - 22:30

Simeon ten Holt: Canto Ostinato (Introdans)

Fascinating, meditative, and minimalist dance programme Less is More is a subtle yet uplifting dance programme, embodying simplicity, stillness, and momentum. An evening of dance heritage in motion, featuring works by leading choreographers Hans van Manen, Lucinda Childs, and Sidi Larbi Cherkaoui.

Location

Amsterdam, Internationaal Theater Amsterdam
Amsterdam, Internationaal Theater Amsterdam
Leidseplein 26, 1017 PT Amsterdam
Website
https://ita.nl/nl/

Wednesday, 1 October 2025. 19:30 - 22:30

Simeon ten Holt: Canto Ostinato (Introdans)

Fascinating, meditative, and minimalist dance programme Less is More is a subtle yet uplifting dance programme, embodying simplicity, stillness, and momentum. An evening of dance heritage in motion, featuring works by leading choreographers Hans van Manen, Lucinda Childs, and Sidi Larbi Cherkaoui.

Location

Amsterdam, Internationaal Theater Amsterdam
Amsterdam, Internationaal Theater Amsterdam
Leidseplein 26, 1017 PT Amsterdam
Website
https://ita.nl/nl/

Wednesday, 1 October 2025. 10:30 - 24:30

Robert Heppener: Nachtklange / Canto carnascialeschi / Spinsel

A Singer’s Farewell Semi-staged performance with beautiful music from the Romantic period. There was a time when increasing age meant wisdom and respect. That is no longer self-evident. Singing at the highest level has a limited duration. At some point, singers say goodbye to the family from which they seemed inseparable.

Location

Utrecht, Silokerk
Utrecht, Silokerk
Herenstraat 36, 3512 KD Utrecht, Nizozemsko
Website
https://www.silogemeente.nl/over-de-silokerk

Our Team’s Picks

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Celia Swart

Celia Swart (1994, NL) is a new music composer, saxophone player and visual artist. Growing up playing saxophone and piano, she found her love for composing.
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Michael Fine

Education Michael has a degree in English Literature from the State University of New York. Despite having no formal music education, he has an active international career in several aspects of the music business.
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Maxim Shalygin

January 30, 1985

"Creativity is an unconscious act of insanity, in a burst of which the truth is born. No matter how beautiful or disgusting it may seem to people far from madness, its value is beyond doubt, both for the author and for those able to sense its invisible beauty. After all, gratitude for endless trials and suffering brings joy and blissful emptiness… Being shocked by music is about pain turning into beauty and getting under your skin, taking away your breath; about everything stopping to move. I want to be scratched inside by sound and experience the fleeting, invisible beauty." - Maxim Shalygin

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Composer

Jan-Peter de Graaff

Netherlands, 1992,
"De Graaff is een alleskunner en een echte en helder opflitsende komeet aan het muzikale firmament die aan niemand ongemerkt voorbij kan gaan." - Maarten Brandt, Opus Klassiek
"De Graaff is een tovenaar met orkestkleuren in een taal die weliswaar van nu is, maar harmonisch ook vaak vertrouwd klinkt." - Paul Herruer, Dagblad van het Noorden
"De Graaffs grootste kracht schuilt in een paradox: stilstand die zindert van spanning." - Guido van Oorschot, De Volkskrant 
 
"Zijn muziek is in essentie atonaal, maar doordat ze niet is doodgesystematiseerd en De Graaff in de contouren en het verloop van zijn melodieën nog steeds romantisch durft te zijn, wordt de luisteraar met zachte, maar dwingende hand meegevoerd in het abstracte verhaal dat hij wil vertellen. Een grote troef is hierbij zijn orkestratiekunst. De muziek is kleurrijk, blijft altijd helder en verrassend." - Erik Voermans, Het Parool
 
"Had iemand mij van te voren voorspeld dat in een programma van Bach, Bartók en Jan-Peter de Graaff het stuk van de laatste mij het meest zou boeien, dan had ik dat niet geloofd. - Dingeman van Wijnen, Friesch Dagblad
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