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Chiel Meijering: Contemplating Final Farewells

Saturday, 24 June 2023   |   17:30 - 19:00

Chiel Meijering: Contemplating Final Farewells

Flûte Pastourell

Georg Philipp Telemann (1681-1767)
Suite in Es-Dur, für Flûte pastourelle [Panflöte], Streicher & Continuo (TWV 55: Es2)
Ouverture – Menuet I/II – Sarabande – Passepied I/II – Gavotte – Gigue 

Johann Heinrich Schmelzer (1708-1763)
Polnische Sackpfeiffen, für  zwei Violinen und Continuo

Chiel Meijering (*1954)                                                                                                                          
Contemplating Final Farewells, für Panflöte, Oboe, Cembalo, Theorbe und Streicher (2020)
drei Teile

——-

Johann Friedrich Fasch (1688-1758)
Sonate in d-Moll, für Streicher & Continuo (FaWV N:d3)
Largo – Allegro – Largo – Allegro

Georg Philipp Telemann
Polonoise & Pastourelle in D-Dur, für Panflöte und Continuo (TWV 41:D3-4)

Georg Philipp Telemann
Sonata Polonese in a-Moll, für Violine, Viola und Continuo (TWV 42:a8)
Andante – Allegro – Dolce – Allegro

Christoph Graupner (1683-1760)
Concerto in G-Dur, für Flûte d’amour [Panflöte], Oboe d’amore, Viola d’amore,
Streicher & Continuo (GWV 333)
Andante – Allegro – Largo – Presto                                                           

 

  • Composer(s) Chiel Meijering
  • Title(s) of the Work(s)

    Contemplating Final Farewells
  • Performer, Ensemble or Orchestra Combattimento & Matthijs Koene
Date
Jun 24 2023
Expired!
Time
17:30 - 19:00
More Info
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Location
Magdeburg, Gesellschaftshaus Magdeburg, Germany
Schönebecker Str. 129, 39104 Magdeburg, Germany

Chiel Meijering: Contemplating Final Farewells on Spotify

Chiel Meijering: Contemplating Final Farewells on SoundCloud
Composer

Chiel Meijering

Chiel Meijering was born in Amsterdam.
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DCO 001 Chiel Meijering Let’s fly Kathleen McLean & Chiel Meijering
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DCO 003 Chiel Meijering Whacked Kathleen McLean & Chiel Meijering
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Upcoming events

Friday, 22 May 2026. 20:00 - 22:00

Maxim Shalygin: Dolcissima

Cellist Nuala McKenna and pianist Antonii Baryshevskyi met at Splendor last year and promptly decided to create a special evening dedicated to works for cello and piano. Their program brings together three late works by Claude Debussy, Robert Schumann, and Frédéric Chopin, alongside a contemporary composition by Ukrainian-born composer Maxim Shalygin.
Location
Amsterdam, Splendor
Amsterdam, Splendor
Nieuwe Uilenburgerstraat 116, 1011 LX Amsterdam
Website https://www.splendoramsterdam.com

Friday, 22 May 2026. 19:00 - 21:00

Krists Auznieks: Endlessly Luminous Path

In May 2026, Sinfonietta Rīga will perform the world premiere of a new work by Latvian composer Krists Auznieks titled ‘Endlessly Luminous Path’. The concert marks the closing of the orchestra’s 20th anniversary season and the final performance of Normunds Šnē in his role as the orchestra’s founder and long-time artistic leader.
Location
Riga, University of Latvia, Latvia
Riga, University of Latvia, Latvia
Raiņa bulvāris 19, Centra rajons, Rīga, Latvia
Website https://www.lu.lv/en/

Saturday, 23 May 2026. 15:00 - 15:45

Maxim Shalygin: Burlesque on the Death of a Dictator

In the performance Parade, the ten musicians of neo-brass ensemble 9×13 stage a parade for a local music club. It is a nostalgic and familiar sight.
Location
Oranjewoud, De Overtuin, Het Straw Bale Pavilion
Oranjewoud, De Overtuin, Het Straw Bale Pavilion
Lindelaan 1, 8453 JD Oranjewoud 
Website https://www.oranjewoudfestival.nl/locaties/fb-oranjewoud-paviljoen/

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Leonard Guillaume Samama komt op 25 maart ter wereld in een muzikale joodse familie in Apeldoorn. Zijn moeder, Ans Samama-Polak, is een amateurcelliste en als oefentherapeut Mensendieck auteur van het boek 'Musiceren zonder pijn'. Zijn vader Sylvio is oprichter van de platenmaatschappij Iramac en een vooraanstaand impresario. De jonge Leo leert dwarsfluit spelen en begint in zijn tienerjaren al te componeren. Tijdens zijn studie Muziekwetenschap aan de Universiteit Utrecht (1970-1977) studeert hij enige jaren compositie bij Rudolf Escher. In 1975 schrijft hij met 'Tombeau concertant pour Frank Martin' voor twee violen en strijkorkest, zijn officiële opus 1. Met steun van een Rotarybeurs voltooit hij zijn studie aan de Universiteit van California in Los Angeles. Al tijdens deze studie geeft hij lezingen over de Nederlandse muziek van de twintigste eeuw.
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