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Daan Manneke: Mise en scene for vocal ensemble and guitar

Saturday, 15 June 2024   |   20:15 - 22:00

Daan Manneke: Mise en scene for vocal ensemble and guitar

Daan Manneke’s Mise en scene is to hear by vocal ensemble Hollands Collectief and guitarist Stefan Gerritsen in Utrecht at the Dag van de Componist.

  • Composer(s) Daan Manneke
  • Title(s) of the Work(s)

    Mise en scene
    for vocal ensemble and guitar
  • Performer, Ensemble or Orchestra Hollands Collectief, Stefan Gerritsen guitar

Date

Jun 15 2024
Expired!

Time

20:15 - 22:00

More Info

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Location

Utrecht, Pieterskerk
Utrecht, Pieterskerk
Pieterskerkhof 3, 3512 JR Utrecht
Website
https://pieterskerk-utrecht.nl

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Daan Manneke: Mise en scene for vocal ensemble and guitar on Spotify

Daan Manneke: Mise en scene for vocal ensemble and guitar on SoundCloud
Composer

Daan Manneke

Daan Manneke was born on November 7, 1939 in Kruiningen (Zeeland). His surname - betraying his roots - is derived from the Flemish mannekijn, from which French and English have taken their word ‘mannequin’. His predominantly Flemish ancestry is interrupted by a lone Spanish soldier who remained in Zeeland during the Eighty Years’ War. From those few drops of Latin blood Manneke inherited a broad and decidedly un-Dutch view of the world that, via the writer Gezelle, carried into the land of Verlaine and Rimbaud. He is a farmer’s son, bound to the earth and the seasons.
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Upcoming events

Sunday, 5 October 2025. 15:30 - 17:30

Jan van Gilse: THIJL

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Location

Enschede, Muziekcentrum
Enschede, Muziekcentrum
Noorderhagen 27, 7511 EK Enschede
Website
https://www.wilminktheater.nl/nl/

Sunday, 5 October 2025. 20:00 - 22:30

Olga Rayeva: Madrigal per un Grillo

The Deutsche Stiftung Musikleben invites you to a benefit concert at the Elbphilharmonie and presents selected scholarship holders. Guest stars include saxophonist and alumna Asya Fateyeva and conductor and alumnus Fedor Rudin.

Location

Hamburg, Elbphilharmonie, Germany
Hamburg, Elbphilharmonie, Germany
Platz d. Deutschen Einheit 4, 20457 Hamburg, Germany
Website
https://www.elbphilharmonie.de/en/

Sunday, 5 October 2025. 20:15 - 22:00

Maxim Shalygin: opera Amandante

«To the feasts of the good, the good come uninvited.» — Plato You’re invited to a feast for the senses: the upcoming European concert tour of Maxim Shalygin’s opera, AMANDANTE, based on Plato’s timeless «Symposium». With this opera Shalygin sought to create a musical exploration into the multifaceted nature of love.

Location

The Hague, Korzo
The Hague, Korzo
Prinsestraat 42, 2513 CE Den Haag
Website
https://korzo.nl/

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Maxim Shalygin

January 30, 1985

"Creativity is an unconscious act of insanity, in a burst of which the truth is born. No matter how beautiful or disgusting it may seem to people far from madness, its value is beyond doubt, both for the author and for those able to sense its invisible beauty. After all, gratitude for endless trials and suffering brings joy and blissful emptiness… Being shocked by music is about pain turning into beauty and getting under your skin, taking away your breath; about everything stopping to move. I want to be scratched inside by sound and experience the fleeting, invisible beauty." - Maxim Shalygin

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Composer

Michael Fine

Education Michael has a degree in English Literature from the State University of New York. Despite having no formal music education, he has an active international career in several aspects of the music business.
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Celia Swart

Celia Swart (1994, NL) is a new music composer, saxophone player and visual artist. Growing up playing saxophone and piano, she found her love for composing.
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Composer

Jan-Peter de Graaff

Netherlands, 1992,
"De Graaff is een alleskunner en een echte en helder opflitsende komeet aan het muzikale firmament die aan niemand ongemerkt voorbij kan gaan." - Maarten Brandt, Opus Klassiek
"De Graaff is een tovenaar met orkestkleuren in een taal die weliswaar van nu is, maar harmonisch ook vaak vertrouwd klinkt." - Paul Herruer, Dagblad van het Noorden
"De Graaffs grootste kracht schuilt in een paradox: stilstand die zindert van spanning." - Guido van Oorschot, De Volkskrant 
 
"Zijn muziek is in essentie atonaal, maar doordat ze niet is doodgesystematiseerd en De Graaff in de contouren en het verloop van zijn melodieën nog steeds romantisch durft te zijn, wordt de luisteraar met zachte, maar dwingende hand meegevoerd in het abstracte verhaal dat hij wil vertellen. Een grote troef is hierbij zijn orkestratiekunst. De muziek is kleurrijk, blijft altijd helder en verrassend." - Erik Voermans, Het Parool
 
"Had iemand mij van te voren voorspeld dat in een programma van Bach, Bartók en Jan-Peter de Graaff het stuk van de laatste mij het meest zou boeien, dan had ik dat niet geloofd. - Dingeman van Wijnen, Friesch Dagblad
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