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Dmitry Kourliandski: possible places 2.1

Saturday, 1 October 2022   |   18:00 - 19:00

Dmitry Kourliandski: possible places 2.1

New version of ‘Possible places’ for solo and electronics by Dmitry Kourliandski will be a part of the program of the Gesellschaft fur Neue Music Munster.

Program:

Rebecca Saunders: white
Paul Hübner: Trompete

Dmitri Kourliandski: possible places 2.1 (deformation of waiting in anticipation of non-return) für Doppeltrichter Posaune und Live-Elektronik (2021/2022) (UA)
Stephen Menotti: Posaune

Nicolas Collins: still lives
Paul Hübner + Stephen Menotti

Klaus Huber: Ein Hauch von Unzeit
Paul Hübner, Stephen Menotti, Jan Termath

  • Composer(s): Dmitry Kourliadnski
  • Title(s) of the Work(s):

    Possible places 2.1 (version for solo + live electronica)

  • Performer, Ensemble or Orchestra: Stephen Menotti, trombone

Date

Oct 01 2022
Expired!

Time

18:00 - 19:00

More Info

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Location

Munster, Gesellschaft für Neue Musik Münster
Achtermannstraße 12, 48143 Münster, Germany

Dmitry Kourliandski: possible places 2.1 on Spotify

Dmitry Kourliandski: possible places 2.1 on SoundCloud

Dmitri Kourliandski was born in 1976 in Moscow. He graduated from the Moscow Conservatory and completed post-graduate course led by Leonid Bobylev.
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Composer Dmitri Kourliandski has gone into exile in France with his wife and three children. “Contemporary art is a form of political opposition,” he says. A quiet childhood under Brezhnev, in a family of the Russian intelligentsia where “no one talked about war”, where they listened to Shostakovich but also to jazz.
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The idea of the opera came literally at the beginning of the isolation period - in the second half of March.
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Upcoming events

Wednesday, 14 May 2025. 19:00 - 21:00

Alla Zagaykevych: Mithe IV: K. S. (2011) for violin and electronics

Piece by Alla Zagaykevych for violin and electronics on the program of Ukrainian and Ukrainian-American composers. Program: Valentin SILVESTROV: Selection from Bagatelles (2005–2006) for solo piano Alla ZAHAYKEVICH: Mithe IV: K. S. (2011) for violin and electronics* Valentyn BIBIK: Little Concerto, op.

Location

Amherst, Massachusetts, The Drake, USA
Amherst, Massachusetts, The Drake, USA
Adres: 44 N Pleasant St, Amherst, MA 01002, USA
Website
https://www.thedrakeamherst.org

Wednesday, 14 May 2025. 20:15 - 22:30

Maxim Shalygin: Canto Inferno

Eighty-five years after the devastating bombing of May 14th, 1940, Rotterdam is a vital city that prefers to look ahead rather than over its shoulder. That is precisely why commemoration is so important, Lahav Shani believes: “Only when we know our origins can we stay on course.

Location

Rotterdam, Laurenskerk
Rotterdam, Laurenskerk
Grotekerkplein 27, 3011 GC Rotterdam
Website
https://laurenskerkrotterdam.nl

Thursday, 15 May 2025. 19:00 - 21:00

Victoria Vita Poleva: Anthem I

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Location

Rovaniemi, Korundi House of Music, Finland
Rovaniemi, Korundi House of Music, Finland
Lapinkävijäntie 4, 96100 Rovaniemi, Finland
Website
https://korundi.fi/en

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"Creativity is an unconscious act of insanity, in a burst of which the truth is born. No matter how beautiful or disgusting it may seem to people far from madness, its value is beyond doubt, both for the author and for those able to sense its invisible beauty. After all, gratitude for endless trials and suffering brings joy and blissful emptiness… Being shocked by music is about pain turning into beauty and getting under your skin, taking away your breath; about everything stopping to move. I want to be scratched inside by sound and experience the fleeting, invisible beauty." - Maxim Shalygin

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"De Graaff is een tovenaar met orkestkleuren in een taal die weliswaar van nu is, maar harmonisch ook vaak vertrouwd klinkt." - Paul Herruer, Dagblad van het Noorden
"De Graaffs grootste kracht schuilt in een paradox: stilstand die zindert van spanning." - Guido van Oorschot, De Volkskrant 
 
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"Had iemand mij van te voren voorspeld dat in een programma van Bach, Bartók en Jan-Peter de Graaff het stuk van de laatste mij het meest zou boeien, dan had ik dat niet geloofd. - Dingeman van Wijnen, Friesch Dagblad
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