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Greek afternoon

Sunday, 22 January 2023   |   14:00 - 15:00

Greek afternoon

Chamber Music of Calliope Tsoupaki and Aspasia Nasopoulou

  • Composer(s) Aspasia Nasopoulou, Calliope Tsoupaki
  • Title(s) of the Work(s)

    Calliope Tsoupaki – Lasting sounds of a Deep Sea (1988)
    Calliope Tsoupaki – Black Moon (2012)
    Aspasia Nasopoulou – Plenitude (2019) 
    Aspasia Nasopoulou – Anapolisis (2021)

  • Performer, Ensemble or Orchestra Fie Schouten, Berend Eijkhout, Eva van de Poll, Keiko Shichijo

Date

Jan 22 2023
Expired!

Time

14:00 - 15:00

More Info

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Location

Museum De Buitenplaats
Museum De Buitenplaats
Hoofdweg 76, 9761 EK Eelde
Website
https://www.museumdebuitenplaats.nl

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Greek afternoon on Spotify

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Aspasia Nasopoulou (Athens, 1972) is living and working in Amsterdam. She studied piano at the Conservatory of Piraeus and composition at the N. Skalkottas Conservatory in Athens and received a BSc. degree in Geology from the University of Athens.
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Calliope Tsoupaki makes music that has a mood of timelessness. Her objective is expressing the essence as simply and clearly as possible. In her compositions she uses elements of early and contemporary music as well as the music of Greece and the Middle East. Combing these aspects, she skillfully creates a completely personal style.

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Upcoming events

Wednesday, 5 November 2025. 19:45 - 22:45

Simeon ten Holt: Canto Ostinato (Introdans)

Fascinating, meditative, and minimalist dance programme Less is More is a subtle yet uplifting dance programme, embodying simplicity, stillness, and momentum. An evening of dance heritage in motion, featuring works by leading choreographers Hans van Manen, Lucinda Childs, and Sidi Larbi Cherkaoui.

Location

The Hague, Amare
The Hague, Amare
Spuiplein 150, 2511 DG Den Haag
Website
https://www.amare.nl/nl/

Wednesday, 5 November 2025. 19:30 - 22:00

Benjamin de Murashkin: LOGOS

Jessica Cottis conducts The Planets: expansive, spine-tingling music inspired by stars, celestial spheres and the cosmos. From ancient astronomers to NASA’s ‘Pale Blue Dot’, our place in the cosmos has captured imaginations since time immemorial. A storyteller’s inventory, this program draws on different knowledges to make meaning of the vastness of the universe.

Location

Canberra, Llewellyn Hall, ANU School of Music, Australia
Canberra, Llewellyn Hall, ANU School of Music, Australia
The Australian National University, Building 100 William Herbert Pl, Canberra ACT 2601, Australia
Website
https://llewellynhall.com.au

Thursday, 6 November 2025. 18:00 - 20:00

Victoria Vita Poleva: The Crossing Machine

An evening of classical vocal and instrumental music with a focus on Australian and Ukrainian composers.

Location

Melbourne, Collins St Baptist Church, Australia
Melbourne, Collins St Baptist Church, Australia
170 Collins St, Melbourne Vic 3000, Australia
Website
https://www.csbc.org.au

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Michael Fine

Education Michael has a degree in English Literature from the State University of New York. Despite having no formal music education, he has an active international career in several aspects of the music business.
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Celia Swart

Celia Swart (1994, NL) is a new music composer, saxophone player and visual artist. Growing up playing saxophone and piano, she found her love for composing.
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Composer

Maxim Shalygin

January 30, 1985

"Creativity is an unconscious act of insanity, in a burst of which the truth is born. No matter how beautiful or disgusting it may seem to people far from madness, its value is beyond doubt, both for the author and for those able to sense its invisible beauty. After all, gratitude for endless trials and suffering brings joy and blissful emptiness… Being shocked by music is about pain turning into beauty and getting under your skin, taking away your breath; about everything stopping to move. I want to be scratched inside by sound and experience the fleeting, invisible beauty." - Maxim Shalygin

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Composer

Jan-Peter de Graaff

Netherlands, 1992,
"De Graaff is een alleskunner en een echte en helder opflitsende komeet aan het muzikale firmament die aan niemand ongemerkt voorbij kan gaan." - Maarten Brandt, Opus Klassiek
"De Graaff is een tovenaar met orkestkleuren in een taal die weliswaar van nu is, maar harmonisch ook vaak vertrouwd klinkt." - Paul Herruer, Dagblad van het Noorden
"De Graaffs grootste kracht schuilt in een paradox: stilstand die zindert van spanning." - Guido van Oorschot, De Volkskrant 
 
"Zijn muziek is in essentie atonaal, maar doordat ze niet is doodgesystematiseerd en De Graaff in de contouren en het verloop van zijn melodieën nog steeds romantisch durft te zijn, wordt de luisteraar met zachte, maar dwingende hand meegevoerd in het abstracte verhaal dat hij wil vertellen. Een grote troef is hierbij zijn orkestratiekunst. De muziek is kleurrijk, blijft altijd helder en verrassend." - Erik Voermans, Het Parool
 
"Had iemand mij van te voren voorspeld dat in een programma van Bach, Bartók en Jan-Peter de Graaff het stuk van de laatste mij het meest zou boeien, dan had ik dat niet geloofd. - Dingeman van Wijnen, Friesch Dagblad
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