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Hanna Kulenty: Sinequan for Cello Solo

Friday, 17 October 2025   |   18:00 - 19:00

Hanna Kulenty: Sinequan for Cello Solo

Sinequan for Cello Solo – Ensemble de l’Amitié – Anastassia Marounina

Kisses&Crosses for piano and percussion -Ensemble de l’Amiti— Alicja Krajewska and Dawid Ganczar

  • Composer(s) Hanna Kulenty
  • Title(s) of the Work(s)

    Sinequan for Cello Solo - Ensemble de l’Amitié - Anastassia Marounina

    Kisses&Crosses for piano and percussion -Ensemble de l’Amiti— Alicja Krajewska and Dawid Ganczar
  • Performer, Ensemble or Orchestra Ensemble de L’amitié

Date

Oct 17 2025

Time

18:00 - 19:00

More Info

First Festival of Polish Female Composers
First Festival of Polish Female Composers

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Hanna Kulenty: Sinequan for Cello Solo on Spotify

Hanna Kulenty: Sinequan for Cello Solo on SoundCloud
Composer

Hanna Kulenty

Hanna Kulenty (born on March 18, 1961 in Białystok, Poland) is a Polish composer of contemporary classical music.
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Upcoming events

Wednesday, 15 October 2025. 20:15 - 22:30

Robert Heppener: Nachtklange / Canto carnascialeschi / Spinsel

A Singer’s Farewell Semi-staged performance with beautiful music from the Romantic period. There was a time when increasing age meant wisdom and respect. That is no longer self-evident. Singing at the highest level has a limited duration. At some point, singers say goodbye to the family from which they seemed inseparable.

Location

Leiden, Stadsgehoorzaal
Leiden, Stadsgehoorzaal
Breestraat 60, 2311 CS Leiden

Wednesday, 15 October 2025. 20:00 - 22:30

Anna Korsun: Terricone

Programme Terricone by Anna Korsun on the program by Rundfunk-Sinfonieorchester Berlin under Vladimir Jurowski in Berliner Philharmoniker.  Program: Anna Korsun – Terricone Alban Berg – Concert for violin and orchestra »Dem Andenken eines Engels« (Christian Tetzlaff Violine) Johannes Brahms – Symphony Nr. 2 D-Dur op.

Location

Berlin, Berliner Philharmoniker
Berlin, Berliner Philharmoniker
Herbert-von-Karajan-Straße 1, 10785 Berlin, Germany
Website
https://www.berliner-philharmoniker.de/en/

Wednesday, 15 October 2025. 20:00 - 22:00

Krists Auznieks: Phaedra in vlammen

Phaedra in vlammen (Phaedra in Flames is a modern take on the classic love drama, written by Nino Haratischwili (who also wrote The Eighth Life (for Brilka)). Starring Malou Gorter as Queen Phaedra, Yela de Koning as her forbidden love Persea, and featuring live music by the New European Ensemble.

Location

Gouda, De Goudse Schouwburg
Boelekade 67, 2806 AE Gouda

Our Team’s Picks

Composers in the crosshairs of our attention
Composer

Michael Fine

Education Michael has a degree in English Literature from the State University of New York. Despite having no formal music education, he has an active international career in several aspects of the music business.
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Composer

Celia Swart

Celia Swart (1994, NL) is a new music composer, saxophone player and visual artist. Growing up playing saxophone and piano, she found her love for composing.
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Composer

Maxim Shalygin

January 30, 1985

"Creativity is an unconscious act of insanity, in a burst of which the truth is born. No matter how beautiful or disgusting it may seem to people far from madness, its value is beyond doubt, both for the author and for those able to sense its invisible beauty. After all, gratitude for endless trials and suffering brings joy and blissful emptiness… Being shocked by music is about pain turning into beauty and getting under your skin, taking away your breath; about everything stopping to move. I want to be scratched inside by sound and experience the fleeting, invisible beauty." - Maxim Shalygin

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Composer

Jan-Peter de Graaff

Netherlands, 1992,
"De Graaff is een alleskunner en een echte en helder opflitsende komeet aan het muzikale firmament die aan niemand ongemerkt voorbij kan gaan." - Maarten Brandt, Opus Klassiek
"De Graaff is een tovenaar met orkestkleuren in een taal die weliswaar van nu is, maar harmonisch ook vaak vertrouwd klinkt." - Paul Herruer, Dagblad van het Noorden
"De Graaffs grootste kracht schuilt in een paradox: stilstand die zindert van spanning." - Guido van Oorschot, De Volkskrant 
 
"Zijn muziek is in essentie atonaal, maar doordat ze niet is doodgesystematiseerd en De Graaff in de contouren en het verloop van zijn melodieën nog steeds romantisch durft te zijn, wordt de luisteraar met zachte, maar dwingende hand meegevoerd in het abstracte verhaal dat hij wil vertellen. Een grote troef is hierbij zijn orkestratiekunst. De muziek is kleurrijk, blijft altijd helder en verrassend." - Erik Voermans, Het Parool
 
"Had iemand mij van te voren voorspeld dat in een programma van Bach, Bartók en Jan-Peter de Graaff het stuk van de laatste mij het meest zou boeien, dan had ik dat niet geloofd. - Dingeman van Wijnen, Friesch Dagblad
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