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Hans Kox: The Darkling Trush, and Harold King and Henk Klop

Friday, 12 August 2022   |   20:00 - 21:00

Hans Kox: The Darkling Trush, and Harold King and Henk Klop

Johann Sebastian Bach TOCCATA En Fuga In D; Bwv 565
(1685 – 1750) orgel

Johann Sebastian Bach UIT De Cantata Nr 82 “ich Habe Genug”
(1685 – 1750) de aria “schlummert Ein Ihr Matten AUGEN”
bariton en orgel

Louis Vierne UIT Deuxieme Symphonie Opus 20
(1870 – 1937) deel 1: Allegro orgel

Henk Klop ZWEI Lieder Für Bass Und Orgel (2014)
(1946 – 2016) bas en orgel

Hans Kox THE Darklink Thrush (2001)
(1930 – 2019) orgel
Geïnspireerd op het gedicht van Thomas Hardy

Harold C. King VIER Liederen Voor Bariton En Orgel
(1895 – 1984) op Teksten Van Guido Gezelle (1979)
3 avondzangen
’t Avondt (1859)
Ik misse u (1859)
Te lucis ante terminun (1892-93)

  • Composer(s): Hans Kox
  • Title(s) of the Work(s):

    The Darkling Trush

  • Performer, Ensemble or Orchestra: Tjeu Zeijen

Date

Aug 12 2022
Expired!

Time

20:00 - 21:00

More Info

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Location

Geleeen, Sint Augustinus Kerk

Hans Kox: The Darkling Trush, and Harold King and Henk Klop on Spotify

Hans Kox: The Darkling Trush, and Harold King and Henk Klop on SoundCloud

Composer

Hans Kox

Hans Kox was born in Arnhem on May 19, 1930. Hans Kox, whose father was a choral conductor and organist, studied piano with Jaap Spaanderman from 1948 to 1951 and composition with Henk Badings from 1951 to 1955 in Amsterdam.
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His very last chamber music work by central composer Escher is played in a combination of three very different instruments, previously used by Mozart and Schumann.
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Composer

Henk Klop

Henk Klop (1946) studied organ, piano and oboe at the Rotterdam Conservatory and in 1969 received his organ soloist diploma with honors. After studying with Jean Langlais, organist of St. Clotilde in Paris, he won the 1971 ‘Prix de Virtuosité ‘for interpretation and improvisation at the Schola Cantorum in Paris with honors.
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Upcoming events

Thursday, 13 February 2025. 17:00 - 18:00

Hanna Beekhuis, Henriëtte Bosmans, Leo Kok, and more: Dutch Art Songs

R

Location

Eau Claire, Phillips Recital Hall, Wisconsin, USA
Eau Claire, Phillips Recital Hall, Wisconsin, USA
Haas Fine Arts Center, Eau Claire, Wisconsin
Website
https://calendar.uwec.edu/all/groups/Music%20and%20Theatre%20Arts
Phone
1-(715) 836-4954

Friday, 14 February 2025. 20:00 - 21:30

Celia Swart / Ton de Leeuw

Something sizzles between the stones. It is the city, there is life.

Location

Delft, Nieuwe Kerk
Delft, Nieuwe Kerk
Markt 80, 2611 GW Delft, Netherlands
Website
https://www.oudeennieuwekerkdelft.nl

Friday, 14 February 2025. 11:30 - 24:30

Edward Top: Pots ‘n Pans Falling

AURA performs music that explores different viewpoints and perspectives. Canadian composer Edward Top’s “Pots ‘n Pans Falling” memorializes the victims of the Sandy Hook Elementary School mass shooting.

Location

Houston, Rice University: Shepherd School of Music, Texas, USA
Houston, Rice University: Shepherd School of Music, Texas, USA
Rice University Shepherd School of Music - MS 532 P.O. Box 1892 Houston, TX 77251-1892
Website
https://music.rice.edu

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Maxim Shalygin

January 30, 1985

"Creativity is an unconscious act of insanity, in a burst of which the truth is born. No matter how beautiful or disgusting it may seem to people far from madness, its value is beyond doubt, both for the author and for those able to sense its invisible beauty. After all, gratitude for endless trials and suffering brings joy and blissful emptiness… Being shocked by music is about pain turning into beauty and getting under your skin, taking away your breath; about everything stopping to move. I want to be scratched inside by sound and experience the fleeting, invisible beauty." - Maxim Shalygin

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Celia Swart

Celia Swart (1994, NL) is a new music composer, saxophone player and visual artist. Growing up playing saxophone and piano, she found her love for composing.
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Jan-Peter de Graaff

Netherlands, 1992,
"De Graaff is een alleskunner en een echte en helder opflitsende komeet aan het muzikale firmament die aan niemand ongemerkt voorbij kan gaan." - Maarten Brandt, Opus Klassiek
"De Graaff is een tovenaar met orkestkleuren in een taal die weliswaar van nu is, maar harmonisch ook vaak vertrouwd klinkt." - Paul Herruer, Dagblad van het Noorden
"De Graaffs grootste kracht schuilt in een paradox: stilstand die zindert van spanning." - Guido van Oorschot, De Volkskrant 
 
"Zijn muziek is in essentie atonaal, maar doordat ze niet is doodgesystematiseerd en De Graaff in de contouren en het verloop van zijn melodieën nog steeds romantisch durft te zijn, wordt de luisteraar met zachte, maar dwingende hand meegevoerd in het abstracte verhaal dat hij wil vertellen. Een grote troef is hierbij zijn orkestratiekunst. De muziek is kleurrijk, blijft altijd helder en verrassend." - Erik Voermans, Het Parool
 
"Had iemand mij van te voren voorspeld dat in een programma van Bach, Bartók en Jan-Peter de Graaff het stuk van de laatste mij het meest zou boeien, dan had ik dat niet geloofd. - Dingeman van Wijnen, Friesch Dagblad
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Michael Fine

Education Michael has a degree in English Literature from the State University of New York. Despite having no formal music education, he has an active international career in several aspects of the music business.
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