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Henriette Bosmans: Drie liederen op Duitse tekst

Monday, 15 July 2024   |   20:00 - 22:00

Henriette Bosmans: Drie liederen op Duitse tekst

Henriette Bosmans on the program of the Israel Camerata Jerusalem in Tel-Aviv Museum of Art.

Program:

Erno Dohnanyi (arr.  N. Tamir-Kaplan): 3 movements from “Ruralia Hungarica”

Mario Castelnuovo-Tedesco: 3 Sephardic Songs

Alberto Hemsi (arr. M. Wiesenberg): 4 songs from “Coplas Sefardies”, op. 34

Pavel Haas: Study for Strings

Norbert Glanzberg (arr. N. Cohen-Shalit): 2 songs from “In Memoriam”

Henriette Bosmans (arr. J. Straesser): 3 German Lieder

Paul Ben-Haim: Rhapsody for Piano and Strings

Mark Warshawski: Oyfn Pripetshik

  • Composer(s) Henriette Bosmans
  • Title(s) of the Work(s)

    Drie liederen op Duitse tekst

  • Performer, Ensemble or Orchestra Israel Camerata Jerusalem, Reut Ventorero Mezzo-Soprano, Nir Cohen-Shalit conductor

Date

Jul 15 2024
Expired!

Time

20:00 - 22:00

More Info

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Location

Tel-Aviv, Tel-Aviv Museum of Art, Israel
27 Sderot Shaul HaMelech, Tel-Aviv, Israel

Henriette Bosmans: Drie liederen op Duitse tekst on Spotify

Henriette Bosmans: Drie liederen op Duitse tekst on SoundCloud

(Li Tai Po, Thu-Fu, Otto Bierbaum), zang en piano, 1927
Henriëtte Bosmans
Year of composition:
1927
Duration:
00:09:00
Publisher's Number: 04930
Buy score
Henriëtte Bosmans is considered one of the most important Dutch composers of the first half of the 20th century. As a pianist and composer, she was affiliated with various chamber music ensembles in Amsterdam, with among others the violinists Louis Zimmerman and Francis Koene and the cellist Marix Loevensohn. World War II puts her career on hold. Henriëtte Bosmans refuses to become a member of the Nazi’s Chamber of Culture and can perform only secretly. During the war, she develops a friendship with the reciter Charlotte Köhler. After a lengthy period in which Bosmans regularly performs but does not compose, because of the premature death of Francis Koene in 1935 and the war, she writes the 'Doodenmarsch' [Death March, 1945], on text by Clara Eggink.
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In February, the famous cellist Raphael Wallfisch and the BBC Scottish Symphony Orchestra, with Ed Spanjaard will make a recording of all works for cello by Henriëtte Bosmans. Raphael Wallfisch: I am so happy to be recording all of Henriëtte Bosmans’ music for cello.
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Donemus is delighted to announce the decision of the board of the RMVD Foundation to support the publishing of the remaining works of Dutch composer Henriëtte Bosmans, thanks to the Leo Smit Foundation’s Forbidden Music Regained project.
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Upcoming events

Friday, 12 September 2025. 18:30 - 20:00

JacobTV: Transposition

Transposition is a documentary spoken opera. A musician couple with two babies goes through forced emigration, rupture, and loss.

Location

Amsterdam, DOOR Open Space
Tt. Vasumweg 31 Amsterdam

Friday, 12 September 2025. 20:00 - 22:30

Aftab Darvishi: Only Violets Remain

The Phion Orchestra opens the season under the baton of chief conductor Alexei Ogrintchouk with two masterpieces from the classical repertoire. This year, Iranian composer Aftab Darvishi is composer in residence at Phion. Her performance is “Only Violets Remain,” a work commissioned by the orchestra several years ago.

Location

Enschede, Muziekcentrum
Enschede, Muziekcentrum
Noorderhagen 27, 7511 EK Enschede
Website
https://www.wilminktheater.nl/nl/

Friday, 12 September 2025. 21:30 - 23:30

JacobTV: Transposition

Transposition is a documentary spoken opera. A musician couple with two babies goes through forced emigration, rupture, and loss.

Location

Amsterdam, DOOR Open Space
Tt. Vasumweg 31 Amsterdam

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"Creativity is an unconscious act of insanity, in a burst of which the truth is born. No matter how beautiful or disgusting it may seem to people far from madness, its value is beyond doubt, both for the author and for those able to sense its invisible beauty. After all, gratitude for endless trials and suffering brings joy and blissful emptiness… Being shocked by music is about pain turning into beauty and getting under your skin, taking away your breath; about everything stopping to move. I want to be scratched inside by sound and experience the fleeting, invisible beauty." - Maxim Shalygin

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