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Henriette Bosmans: Drie liederen op Duitse tekst

Monday, 15 July 2024   |   20:00 - 22:00

Henriette Bosmans: Drie liederen op Duitse tekst

Henriette Bosmans on the program of the Israel Camerata Jerusalem in Tel-Aviv Museum of Art.

Program:

Erno Dohnanyi (arr.  N. Tamir-Kaplan): 3 movements from “Ruralia Hungarica”

Mario Castelnuovo-Tedesco: 3 Sephardic Songs

Alberto Hemsi (arr. M. Wiesenberg): 4 songs from “Coplas Sefardies”, op. 34

Pavel Haas: Study for Strings

Norbert Glanzberg (arr. N. Cohen-Shalit): 2 songs from “In Memoriam”

Henriette Bosmans (arr. J. Straesser): 3 German Lieder

Paul Ben-Haim: Rhapsody for Piano and Strings

Mark Warshawski: Oyfn Pripetshik

  • Composer(s) Henriette Bosmans
  • Title(s) of the Work(s)

    Drie liederen op Duitse tekst
  • Performer, Ensemble or Orchestra Israel Camerata Jerusalem, Reut Ventorero Mezzo-Soprano, Nir Cohen-Shalit conductor

Date

Jul 15 2024
Expired!

Time

20:00 - 22:00

More Info

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Location

Tel-Aviv, Tel-Aviv Museum of Art, Israel
27 Sderot Shaul HaMelech, Tel-Aviv, Israel

Henriette Bosmans: Drie liederen op Duitse tekst on Spotify

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Henriëtte Bosmans is considered one of the most important Dutch composers of the first half of the 20th century. As a pianist and composer, she was affiliated with various chamber music ensembles in Amsterdam, with among others the violinists Louis Zimmerman and Francis Koene and the cellist Marix Loevensohn. World War II puts her career on hold. Henriëtte Bosmans refuses to become a member of the Nazi’s Chamber of Culture and can perform only secretly. During the war, she develops a friendship with the reciter Charlotte Köhler. After a lengthy period in which Bosmans regularly performs but does not compose, because of the premature death of Francis Koene in 1935 and the war, she writes the 'Doodenmarsch' [Death March, 1945], on text by Clara Eggink.
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In February, the famous cellist Raphael Wallfisch and the BBC Scottish Symphony Orchestra, with Ed Spanjaard will make a recording of all works for cello by Henriëtte Bosmans. Raphael Wallfisch: I am so happy to be recording all of Henriëtte Bosmans’ music for cello.
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Donemus is delighted to announce the decision of the board of the RMVD Foundation to support the publishing of the remaining works of Dutch composer Henriëtte Bosmans, thanks to the Leo Smit Foundation’s Forbidden Music Regained project.
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Upcoming events

Tuesday, 30 September 2025. 19:30 - 22:30

Simeon ten Holt: Canto Ostinato (Introdans)

Fascinating, meditative, and minimalist dance programme Less is More is a subtle yet uplifting dance programme, embodying simplicity, stillness, and momentum. An evening of dance heritage in motion, featuring works by leading choreographers Hans van Manen, Lucinda Childs, and Sidi Larbi Cherkaoui.

Location

Amsterdam, Internationaal Theater Amsterdam
Amsterdam, Internationaal Theater Amsterdam
Leidseplein 26, 1017 PT Amsterdam
Website
https://ita.nl/nl/

Wednesday, 1 October 2025. 10:30 - 24:30

Robert Heppener: Nachtklange / Canto carnascialeschi / Spinsel

A Singer’s Farewell Semi-staged performance with beautiful music from the Romantic period. There was a time when increasing age meant wisdom and respect. That is no longer self-evident. Singing at the highest level has a limited duration. At some point, singers say goodbye to the family from which they seemed inseparable.

Location

Utrecht, Silokerk
Utrecht, Silokerk
Herenstraat 36, 3512 KD Utrecht, Nizozemsko
Website
https://www.silogemeente.nl/over-de-silokerk

Wednesday, 1 October 2025. 20:00 - 22:30

Jan-Peter de Graaff: Hagar, an opera in 4 scenes

On Thursday, May 15th, the Nederlandse Reisopera presented its upcoming season with a brand new opera.  A bold and creative partnership between composer Jan-Peter de Graaff and librettist Eleanor Barlow, Hagar is a daring, modern and fiercely human reimagining of the ancient tale that explores resilience, scandal, and consequence.

Location

Drachten, Schouwburg De Lawei
Drachten, Schouwburg De Lawei
Laweiplein 1, 9203 KL Drachten
Website
https://www.lawei.nl

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Composer

Maxim Shalygin

January 30, 1985

"Creativity is an unconscious act of insanity, in a burst of which the truth is born. No matter how beautiful or disgusting it may seem to people far from madness, its value is beyond doubt, both for the author and for those able to sense its invisible beauty. After all, gratitude for endless trials and suffering brings joy and blissful emptiness… Being shocked by music is about pain turning into beauty and getting under your skin, taking away your breath; about everything stopping to move. I want to be scratched inside by sound and experience the fleeting, invisible beauty." - Maxim Shalygin

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Composer

Jan-Peter de Graaff

Netherlands, 1992,
"De Graaff is een alleskunner en een echte en helder opflitsende komeet aan het muzikale firmament die aan niemand ongemerkt voorbij kan gaan." - Maarten Brandt, Opus Klassiek
"De Graaff is een tovenaar met orkestkleuren in een taal die weliswaar van nu is, maar harmonisch ook vaak vertrouwd klinkt." - Paul Herruer, Dagblad van het Noorden
"De Graaffs grootste kracht schuilt in een paradox: stilstand die zindert van spanning." - Guido van Oorschot, De Volkskrant 
 
"Zijn muziek is in essentie atonaal, maar doordat ze niet is doodgesystematiseerd en De Graaff in de contouren en het verloop van zijn melodieën nog steeds romantisch durft te zijn, wordt de luisteraar met zachte, maar dwingende hand meegevoerd in het abstracte verhaal dat hij wil vertellen. Een grote troef is hierbij zijn orkestratiekunst. De muziek is kleurrijk, blijft altijd helder en verrassend." - Erik Voermans, Het Parool
 
"Had iemand mij van te voren voorspeld dat in een programma van Bach, Bartók en Jan-Peter de Graaff het stuk van de laatste mij het meest zou boeien, dan had ik dat niet geloofd. - Dingeman van Wijnen, Friesch Dagblad
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Celia Swart

Celia Swart (1994, NL) is a new music composer, saxophone player and visual artist. Growing up playing saxophone and piano, she found her love for composing.
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Michael Fine

Education Michael has a degree in English Literature from the State University of New York. Despite having no formal music education, he has an active international career in several aspects of the music business.
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