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Idin Samimi Mofakham : Eternal Chasms (brass quintet & electronics)

Idin Samimi Mofakham : Eternal Chasms (brass quintet & electronics)

  • Performer, Ensemble or Orchestra NYNORSK BRASS QUINTET

Date

Jun 23 2024
Expired!

Time

18:00 - 19:00

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Location

Gamle Fredrikstad Kirke
Kirkegaten 25 1632 Fredrikstad, Norway

Idin Samimi Mofakham : Eternal Chasms (brass quintet & electronics) on Spotify

Idin Samimi Mofakham : Eternal Chasms (brass quintet & electronics) on SoundCloud

The music of Iranian composer/performer Idin Samimi Mofakham (b. 1982) is deeply rooted in the traditional and regional music of his home country. Since 2015, he has been developing his own musical language based on non-Western tuning systems, just intonation and psychoacoustics. In 2023 he received his PhD from the Norwegian Academy of Music in Oslo with a research thesis on medieval tuning systems from Iran and their creative use in contemporary composition.

Since 2013, Idin has been the co-founder and artistic manager of Spectro Centre for New Music. Between 2015 and 2019, he was a board member and senior curator of the Tehran Contemporary Music Festival, the only international festival focusing on contemporary and experimental music in Iran. He plays in the experimental band Spectro Duo, which he founded with his wife, composer Martyna Kosecka. Their musical focus is on drone, noise, beat phenomena, glitch, field recording transformation, microtonality and oriental modalities.

Idin’s music has been performed or recorded by ensembles such as Klangforum Wien, S.E.M Ensemble, Hermes Ensemble, Omnibus Ensemble, Moto Perpetuo, AuditivVokal Dresden, Momenta Quartet, IAMA Trio, Ostravská Banda, Stockholm Saxophone Quartet, Xelmya Trio, Oslo Sinfonietta, Abbyss Quartet and, in Iran, most notably by Nivak Ensemble and Nilper Orchestra.

The music of Iranian composer/performer Idin Samimi Mofakham (b. 1982) is deeply rooted in the traditional and regional music of his home country. Since 2015, he has been developing his own musical language based on non-Western tuning systems, just intonation and psychoacoustics.
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Upcoming events

Sunday, 28 September 2025. 14:30 - 17:00

Jan-Peter de Graaff: Hagar, an opera in 4 scenes

On Thursday, May 15th, the Nederlandse Reisopera presented its upcoming season with a brand new opera.  A bold and creative partnership between composer Jan-Peter de Graaff and librettist Eleanor Barlow, Hagar is a daring, modern and fiercely human reimagining of the ancient tale that explores resilience, scandal, and consequence.

Location

Enschede, Wilminktheater
Enschede, Wilminktheater
Noorderhagen 27, 7511 EK Enschede
Website
https://www.wilminktheater.nl/nl/

Sunday, 28 September 2025. 17:00 - 19:00

Calliope Tsoupaki: Poem for an empty world

A new commission for string quartet and piano by the Greek-Dutch composer Calliope Tsoupaki ‘Poem for an empty world’ is inspired by a key element of her homeland: the sea. Her composition will premiere on Saturday, September 28th, at the September Me festival. Enter a world where classical and modern seamlessly merge.

Location

Amersfoort, Flint Theater
Amersfoort, Flint Theater
Coninckstraat 60, 3811 WK Amersfoort
Website
https://flint.nl

Sunday, 28 September 2025. 15:30 - 17:30

Joey Roukens /Theo Smit Sibinga /Maarten Bauer /Henk Badings /Rudolf Escher

When you think of Indonesia, the spicy scents of the oriental kitchen probably come to mind. But perhaps also wajang puppets, chirping monkeys swinging through the jungle, or a volcano that could erupt at any moment. Or the traditional dances in beautiful clothing.

Location

Amsterdam, Waalse Kerk
Amsterdam, Waalse Kerk
Walenpleintje 159, 1012 JZ Amsterdam
Website
https://dewaalsekerk.nl/home/

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"De Graaff is een tovenaar met orkestkleuren in een taal die weliswaar van nu is, maar harmonisch ook vaak vertrouwd klinkt." - Paul Herruer, Dagblad van het Noorden
"De Graaffs grootste kracht schuilt in een paradox: stilstand die zindert van spanning." - Guido van Oorschot, De Volkskrant 
 
"Zijn muziek is in essentie atonaal, maar doordat ze niet is doodgesystematiseerd en De Graaff in de contouren en het verloop van zijn melodieën nog steeds romantisch durft te zijn, wordt de luisteraar met zachte, maar dwingende hand meegevoerd in het abstracte verhaal dat hij wil vertellen. Een grote troef is hierbij zijn orkestratiekunst. De muziek is kleurrijk, blijft altijd helder en verrassend." - Erik Voermans, Het Parool
 
"Had iemand mij van te voren voorspeld dat in een programma van Bach, Bartók en Jan-Peter de Graaff het stuk van de laatste mij het meest zou boeien, dan had ik dat niet geloofd. - Dingeman van Wijnen, Friesch Dagblad
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