Jan-Peter de Graaff & Daan Manneke

Sunday, 3 November 2024   |   15:00 - 17:30

Jan-Peter de Graaff & Daan Manneke

Ad Parnassum presents a special program around the premiere of Jan-Peter de Graaff’s Effugium (2024). In this program we work closely with Elisabeth Hetherington, soprano and artist-in-residence of the November Music festival in ‘s-Hertogenbosch. In addition, mezzo-soprano Lotte Betts-Dean, percussionist Konstantyn Napolov and wind players from the Brabant Chamber Orchestra will participate.

We perform compositions for mixed choir, wind ensemble and percussion. Jan-Peter de Graaff writes a new monumental choral work at the request of Ad Parnassum. In this twenty-minute work, De Graaff refers to Renaissance music and Baroque, but he also draws inspiration from the modernism of George Crumb and Györgi Ligeti. “All this combined with my own musical style, which is more about sculpting seductive sounds than about the hyper-conceptual,” De Graaff gives a glimpse of the veil. 

The impressive Mass (1944-1948) by Igor Stravinsky for mixed choir and double wind quintet runs like a common thread through the concert program. The program fully follows the structure of the liturgy for the dead. There are also parts from the Psalm Requiem (2005) by Daan Manneke and other suitable work by Stravinsky and De Graaff (his Monument from 2011).

Composer Jan-Peter de Graaff, despite his young age (32 years old), already has an extensive oeuvre. Many of De Graaff’s compositions are characterized by a high degree of transparency and use of color in harmony, structure and orchestration, with an important focus on form and melodic development. A complete requiem mass was impossible for him and so Jan-Peter de Graaff decided to limit himself to the most exciting part, the Dies Irae, the Day of Judgment. According to the composer, this theme is more relevant than ever, because humanity is confronted more than ever with judgments from others due to the internet and social media and is constantly tempted to participate, sometimes unintentionally and against the will. The title of the work, Effugium (Exit), is an open door, a way out, an escape.

Program:

Jan-Peter de Graaff – Effugium (première)

Igor Stravinsky – Mass

Daan Manneke – Psalmenrequiem

  • Composer(s) Jan-Peter de Graaff & Daan Manneke
  • Title(s) of the Work(s)

    Jan-Peter de Graaff – Dies Irae
    Daan Manneke – Psalmenrequiem

  • Performer, Ensemble or Orchestra Ad Parnassum under Anthony Zielhorst, Brabant Chamber Orchestra, Elisabeth Hetherington soprano, Lotte Betts-Dean mezzo-soprano, Konstantyn Napolov percussion

Date

Nov 03 2024
Expired!

Time

15:00 - 17:30

More Info

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Location

Berkel-Enschot, Abdij Koningshoeven
Berkel-Enschot, Abdij Koningshoeven
Eindhovenseweg 3, 5056 RP Berkel-Enschot
Website
https://www.koningshoeven.nl

Jan-Peter de Graaff & Daan Manneke on Spotify

Jan-Peter de Graaff & Daan Manneke on SoundCloud

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Amsterdam, Internationaal Theater Amsterdam
Leidseplein 26, 1017 PT Amsterdam
Website
https://ita.nl/nl/

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Den Haag, Koninklijke Schouwburg
Korte Voorhout 3, 2511 CW Den Haag
Website
https://www.hnt.nl

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Simeon ten Holt: Canto Ostinato (Introdans)

Fascinating, meditative, and minimalist dance programme Less is More is a subtle yet uplifting dance programme, embodying simplicity, stillness, and momentum. An evening of dance heritage in motion, featuring works by leading choreographers Hans van Manen, Lucinda Childs, and Sidi Larbi Cherkaoui.

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Amsterdam, Internationaal Theater Amsterdam
Amsterdam, Internationaal Theater Amsterdam
Leidseplein 26, 1017 PT Amsterdam
Website
https://ita.nl/nl/

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