
Krists Auznieks: New work for choir
This programme is dedicated to one of the greatest masters of Renaissance music — Giovanni Pierluigi da Palestrina — in celebration of his 500th birthday.
At the heart of the concert lies the composer’s most renowned work, Missa Papae Marcelli. Would choral music exist in the form we know today, had it not been for this extraordinary composition?
Giovanni Pierluigi da Palestrina spent his entire musical life in Rome, closely connected to the papal court and St. Peter’s Basilica. He became a symbol of musical thought of his time, largely thanks to this very work.
Composed around 1560, Missa Papae Marcelli has become one of the most influential and emblematic works in the history of music. It was written during a period of intense reform within the Roman Catholic Church — the time of the Council of Trent (1545–1563), which brought forward serious discussions on the role and nature of liturgical music. The intricate polyphony of the era, often rendering the sacred texts unintelligible, raised concerns that the spiritual essence of the service was being overshadowed by musical complexity and aesthetic indulgence. Some even proposed banning elaborate polyphony from worship altogether.
At this critical juncture, Palestrina’s mass provided powerful evidence that polyphony could indeed serve the sacred word rather than obscure it. It wasn’t merely a display of sonic beauty — it was a vessel for spiritual meaning.
Legend has it that this work was presented to the council as a model of how polyphonic music could harmonize with the sacred message. Though the story is more symbolic than historically confirmed, its impact is profound: it marks a turning point when music was, in a sense, “saved” from the threat of oversimplification. Complex, spiritually rich, and aesthetically layered sacred music was allowed to flourish — and with it, the foundations were laid for the great composers who followed: Bach, Mozart, Brahms, and countless others who carried forward music as a means of spiritual expression.
Palestrina’s Missa Papae Marcelli remains a cornerstone of Western culture — a masterpiece of balance, harmony, and spiritual depth that continues to inspire composers and audiences alike, even five centuries after.
This concert will also feature contemporary works commissioned especially for this occasion — new compositions by Krists Auznieks, Linda Leimane, Annija Anna Zariņa, and Aleksandrs Avramecs. Each of these composers, in their unique musical language, offers a tribute to Palestrina, drawing inspiration from his aesthetic and spiritual core. These works form a contemporary dialogue with the Renaissance master — a bridge of gratitude between centuries.
Program:
Giovanni Pierluigi da Palestrina – Missa Papae Marcelli
World premieres – contemporary tributes to Palestrina by Krists Auznieks, Linda Leimane, Annija Anna Zariņa, and Aleksandrs Avramecs
- Composer(s) Krists Auznieks
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Title(s) of the Work(s)
New work for choir
- Performer, Ensemble or Orchestra Latvian Radio Choir, Kaspars Putniņš conductor