Martyna Kosecka: éskhatos | at one end of a continuum
éskhatos | at one end of a continuum for amplified harpsichord and multichannel electronics by Martyna Kosecka will be performed by Goska Isphording at the Prix Annelie de Man Festival, Amsterdam
Program:
Ivan Božičević (1961) – Willows are green, flowers are crimson (2021)
Jane Chapman, harpischord and Ivan Božičević, hyperorgan
Martyna Kosecka – éskhatos | at one end of a continuum for amplified harpsichord and multichannel electronics ( 2022)
Goska Isphording, harpischord
Arnold Marinissen (1966) – Des bruits qui ne parle pas (2023)
Goska Isphording, harpischord and Tatiana Koleva, percussion and 2 cassetterecorders
Iannis Xenakis (1922-2001)- Komboï (1981)
Goska Isphording, harpischord and Tatiana Koleva, percussion
Ivan Božičević (1961) – White Birds (2022/23)*
Jorge Isaac, recorder
Matthijs Koene, pan flute
Esra Pehlivanli, viola
Marko Kassl, accordion
Enric Monfor percussion
Ivan Božičević, hyperorgan
- Composer(s) Martyna Kosecka
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Title(s) of the Work(s)
éskhatos | at one end of a continuum
for amplified harpsichord and multichannel electronics ( 2022) - Performer, Ensemble or Orchestra Goska Isphording - harpsichord