Maxim Kolomiiets: Echoes of drowning reflections
With the six-day festival Resistance of Sounds, the In Situ Art Society presents a broad spectrum of Ukrainian new music, starting with the composers of the “Kiev avant-garde”, which came to the public’s attention around 1960, but to a violent extent among advocates of conservative Soviet musical aesthetics Rejection met, like Leonid Hrabovsky and Valentin Silvestrov, up to the youngest generation – Adrian Mocanu, Anna Arkushyna, Alisa Kobzar and others.
Ukrainian new music is shown in its continuous development over decades, in harmony with the European zeitgeist, but also in search of its own path.
ProgrammeLeonid Hrabovsky (*1935): 𝘒𝘰𝘨𝘥𝘢 (𝘞𝘢𝘯𝘯) für Mezzosopran, Violine (+Viola), Klarinette, Klavier und Perkussion (Text: Welimir Chlebnikow) (1987)
• Leonid Hrabovsky (*1935): 𝘈𝘯𝘥 𝘪𝘵 𝘸𝘪𝘭𝘭 𝘣𝘦 für Sopran, Violine, Klarinette, Klavier, Synthesizer und Perkussion (Text: Mykola Worobjow) (1993)
• Maxim Kolomiiets (*1981): 𝘌𝘤𝘩𝘰𝘦𝘴 𝘰𝘧 𝘥𝘳𝘰𝘸𝘯𝘪𝘯𝘨 𝘳𝘦𝘧𝘭𝘦𝘤𝘵𝘪𝘰𝘯𝘴 für Flöte, Klarinette, Klavier, Violine und Violoncello (2013)
• Adrian Mocanu (*1989): 𝘳𝘦𝘧𝘭𝘦𝘤𝘵𝘪𝘰𝘯𝘴 𝘰𝘧 𝘲𝘶𝘪𝘦𝘵 𝘵𝘩𝘪𝘯𝘨𝘴 für Bassflöte, Bassklarinette und Frauenstimme (Text: Federico García Lorca) (2015)
• Adrian Mocanu (*1989): 𝘸𝘢𝘳𝘦𝘯 𝘸𝘪𝘳, 𝘴𝘪𝘯𝘥 𝘸𝘪𝘳, 𝘸𝘦𝘳𝘥𝘦𝘯 für Mezzosopran, Violoncello und Klavier (Text: Paul Celan) (2020)
• Adrian Mocanu (*1989): 𝘦𝘴𝘵𝘦 𝘢𝘮𝘰𝘳𝘰𝘴𝘰 𝘵𝘰𝘳𝘮𝘦𝘯𝘵𝘰 für Sopran und Bassflöte (Text: Juana Inés de la Cruz) (2018)
- Composer(s) Maxim Kolomiiets
-
Title(s) of the Work(s)
Echoes of drowning reflections
- Performer, Ensemble or Orchestra MusikFabrik, conductor Viktoriia Vitrenko
