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Maxim Shalygin: Canto Inferno

Sunday, 18 May 2025   |   14:15 - 16:30

Maxim Shalygin: Canto Inferno

Gentle, intimate and hopeful: Fauré’s Requiem is a reconciliation with the end. Emotional core is the glowing Libera me, a plea for liberation that is answered with a glimpse into paradise. A similar desire for freedom marks Brahms’ Third under the motto “Frei aber froh” – and in this symphony, too, the quest for redemption ends in a hushed finale of heavenly beauty.

The concert opens a world premiere for choir and orchestra by Maxim Shalygin.

Program

Shalygin: ‘Canto Inferno’ for soprano, choir and orchestra
Brahms: Symphony nr. 3
Fauré: Requiem

  • Composer(s) Maxim Shalygin
  • Title(s) of the Work(s)

    Canto Inferno
  • Performer, Ensemble or Orchestra Rotterdam Philharmonic Orchestra, Nederlands Kamerkoor, Matthew Halls conductor

Date

May 18 2025
Expired!

Time

14:15 - 16:30

More Info

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Location

Rotterdam, De Doelen
Rotterdam, De Doelen
Schouwburgplein 50, 3012 CL Rotterdam
Website
https://www.dedoelen.nl/nl/

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Maxim Shalygin: Canto Inferno on Spotify

Maxim Shalygin: Canto Inferno on SoundCloud


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Composer

Maxim Shalygin

"Creativity is an unconscious act of insanity, in a burst of which the truth is born. No matter how beautiful or disgusting it may seem to people far from madness, its value is beyond doubt, both for the author and for those able to sense its invisible beauty. After all, gratitude for endless trials and suffering brings joy and blissful emptiness… Being shocked by music is about pain turning into beauty and getting under your skin, taking away your breath; about everything stopping to move. I want to be scratched inside by sound and experience the fleeting, invisible beauty." - Maxim Shalygin

His compositions include chamber, vocal, symphonic, electro-acoustic music, as well as music for theater, ballet and film. Shalygin has participated in many competitions internationally. He received a honorable mention at the Gaudeamus competition 2012 for his work “Letters to Anna” symphony for violin solo. The same year his music was selected for Gesamt project of Lars von Trier. Shalygin was a composer-in-residence in IZOLYATSIA – Platform for Cultural Initiatives (Donetsk, Ukraine) and Storioni Festival (Brabant, Netherlands). Shalygin’s works have been performed in festivals such as: Gaudeamus Muziekweek (Netherlands), Sound Ways (Russia), Musical Youth Tribune (Ukraine), GOGOLFEST (Ukraine), Spring Festival (Netherlands), International Forum of Young Music (Ukraine), Music Premieres of the Season (Ukraine), UNEVEN – mini-festival by Lonneke van Leth (Netherlands).
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Upcoming events

Wednesday, 1 October 2025. 19:30 - 22:30

Simeon ten Holt: Canto Ostinato (Introdans)

Fascinating, meditative, and minimalist dance programme Less is More is a subtle yet uplifting dance programme, embodying simplicity, stillness, and momentum. An evening of dance heritage in motion, featuring works by leading choreographers Hans van Manen, Lucinda Childs, and Sidi Larbi Cherkaoui.

Location

Amsterdam, Internationaal Theater Amsterdam
Amsterdam, Internationaal Theater Amsterdam
Leidseplein 26, 1017 PT Amsterdam
Website
https://ita.nl/nl/

Wednesday, 1 October 2025. 10:30 - 24:30

Robert Heppener: Nachtklange / Canto carnascialeschi / Spinsel

A Singer’s Farewell Semi-staged performance with beautiful music from the Romantic period. There was a time when increasing age meant wisdom and respect. That is no longer self-evident. Singing at the highest level has a limited duration. At some point, singers say goodbye to the family from which they seemed inseparable.

Location

Utrecht, Silokerk
Utrecht, Silokerk
Herenstraat 36, 3512 KD Utrecht, Nizozemsko
Website
https://www.silogemeente.nl/over-de-silokerk

Wednesday, 1 October 2025. 20:00 - 22:30

Jan-Peter de Graaff: Hagar, an opera in 4 scenes

On Thursday, May 15th, the Nederlandse Reisopera presented its upcoming season with a brand new opera.  A bold and creative partnership between composer Jan-Peter de Graaff and librettist Eleanor Barlow, Hagar is a daring, modern and fiercely human reimagining of the ancient tale that explores resilience, scandal, and consequence.

Location

Drachten, Schouwburg De Lawei
Drachten, Schouwburg De Lawei
Laweiplein 1, 9203 KL Drachten
Website
https://www.lawei.nl

Our Team’s Picks

Composers in the crosshairs of our attention
Composer

Jan-Peter de Graaff

Netherlands, 1992,
"De Graaff is een alleskunner en een echte en helder opflitsende komeet aan het muzikale firmament die aan niemand ongemerkt voorbij kan gaan." - Maarten Brandt, Opus Klassiek
"De Graaff is een tovenaar met orkestkleuren in een taal die weliswaar van nu is, maar harmonisch ook vaak vertrouwd klinkt." - Paul Herruer, Dagblad van het Noorden
"De Graaffs grootste kracht schuilt in een paradox: stilstand die zindert van spanning." - Guido van Oorschot, De Volkskrant 
 
"Zijn muziek is in essentie atonaal, maar doordat ze niet is doodgesystematiseerd en De Graaff in de contouren en het verloop van zijn melodieën nog steeds romantisch durft te zijn, wordt de luisteraar met zachte, maar dwingende hand meegevoerd in het abstracte verhaal dat hij wil vertellen. Een grote troef is hierbij zijn orkestratiekunst. De muziek is kleurrijk, blijft altijd helder en verrassend." - Erik Voermans, Het Parool
 
"Had iemand mij van te voren voorspeld dat in een programma van Bach, Bartók en Jan-Peter de Graaff het stuk van de laatste mij het meest zou boeien, dan had ik dat niet geloofd. - Dingeman van Wijnen, Friesch Dagblad
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Composer

Celia Swart

Celia Swart (1994, NL) is a new music composer, saxophone player and visual artist. Growing up playing saxophone and piano, she found her love for composing.
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Composer

Michael Fine

Education Michael has a degree in English Literature from the State University of New York. Despite having no formal music education, he has an active international career in several aspects of the music business.
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Composer

Maxim Shalygin

January 30, 1985

"Creativity is an unconscious act of insanity, in a burst of which the truth is born. No matter how beautiful or disgusting it may seem to people far from madness, its value is beyond doubt, both for the author and for those able to sense its invisible beauty. After all, gratitude for endless trials and suffering brings joy and blissful emptiness… Being shocked by music is about pain turning into beauty and getting under your skin, taking away your breath; about everything stopping to move. I want to be scratched inside by sound and experience the fleeting, invisible beauty." - Maxim Shalygin

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