Maxim Shalygin: Songs of Holy Fools
Portrait of a woman in a bright evening dress (Andrea Conangla). The index finger of one hand is bent and lies above the eye like an eyebrow. Black artificial eyelashes are glued to it.
Young singers and ensembles locate their contemporary musical work along genre interfaces. From the tradition of art song, borders between early music, new music and pop can be heard.
Andrea Conangla, Viktoriia Vitrenko, the Neue Kammer and the TRIO vis-à-vis present various song concepts by Igor C. Silva, Sara Glojnarić, Gilles Schuehmacher, Sarvenaz Safari, Björk and Maxim Shalygin.
This is the final concert of the “InScene: Vokal” funding program.
The Podium Present, sponsored by the German Music Council, supports young soloists and ensembles on their path to professionalism.
Program ‘Between new music and pop’:
Igor C. Silva: Vou
Sara Glojnarić: The Poet is a Faker
Andrea Conangla, soprano
Gilles Schuehmacher: Roses VI, IV, X and V
New chamber
Johanna Ihrig, soprano/ Thomas Kolarczyk, double bass
Sarvenaz Safari: Eternal Summer
film
Homage to Björk
Improvisational approaches
TRIO opposite
Natasha López, soprano/ Hugo Rannou, cello/ Petra Arman, flute
Maxim Shalygin: Songs of Holy Fools
Vocal cycle for voice and piano (from: LIMBO)
Viktoriia Vitrenko, voice & performance
- Composer(s) Maxim Shalygin
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Title(s) of the Work(s)
Songs of Holy Fools
vocal cyclus for voice and piano - Performer, Ensemble or Orchestra Viktoriia Vitrenko voice & performance
