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Maxim Shalygin & Victoria Poleva

Thursday, 29 February 2024   |   19:00 - 21:00

Maxim Shalygin & Victoria Poleva

The star duo of violinist Bohdana Pivnenko and pianist Anna Khmara present an exquisite evening of chamber music. The duo are prize-winners of international chamber music competitions and performers at prestigious festivals. Pieces by Victoria Vita Polevá and Maxim Shalygin on the program next to Beethoven and Frank.

  • Composer(s) Maxim Shalygin & Victoria Poleva
  • Title(s) of the Work(s)

    Maxim Shalygin: Angel
    Victoria Poleva: Soul
  • Performer, Ensemble or Orchestra Bogdana Pivnenko violin, Anna Khmara piano

Date

Feb 29 2024
Expired!

Time

19:00 - 21:00

More Info

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Location

Kyiv, National Philharmonics, Ukraine
Kyiv, National Philharmonics, Ukraine
Volodymyrsky descent 2, Kyiv, Ukraine
Website
https://philarmonia.com.ua/en/

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Maxim Shalygin & Victoria Poleva on Spotify

Maxim Shalygin & Victoria Poleva on SoundCloud
Composer

Maxim Shalygin

"Creativity is an unconscious act of insanity, in a burst of which the truth is born. No matter how beautiful or disgusting it may seem to people far from madness, its value is beyond doubt, both for the author and for those able to sense its invisible beauty. After all, gratitude for endless trials and suffering brings joy and blissful emptiness… Being shocked by music is about pain turning into beauty and getting under your skin, taking away your breath; about everything stopping to move. I want to be scratched inside by sound and experience the fleeting, invisible beauty." - Maxim Shalygin

His compositions include chamber, vocal, symphonic, electro-acoustic music, as well as music for theater, ballet and film. Shalygin has participated in many competitions internationally. He received a honorable mention at the Gaudeamus competition 2012 for his work “Letters to Anna” symphony for violin solo. The same year his music was selected for Gesamt project of Lars von Trier. Shalygin was a composer-in-residence in IZOLYATSIA – Platform for Cultural Initiatives (Donetsk, Ukraine) and Storioni Festival (Brabant, Netherlands). Shalygin’s works have been performed in festivals such as: Gaudeamus Muziekweek (Netherlands), Sound Ways (Russia), Musical Youth Tribune (Ukraine), GOGOLFEST (Ukraine), Spring Festival (Netherlands), International Forum of Young Music (Ukraine), Music Premieres of the Season (Ukraine), UNEVEN – mini-festival by Lonneke van Leth (Netherlands).
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Victoria Vita Polevá (also spelled:  Ukrainian: Вікторія Польова) is a Ukrainian pianist and composer. Born in Kyiv on 11 September 1962 to a family of musicians. She studied with, respectively, Ivan Karabyts and Levko Kolodub at the Kyiv Conservatory, where she herself taught composition from 1990 to 2005.
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Upcoming events

Wednesday, 15 October 2025. 20:00 - 22:30

Anna Korsun: Terricone

Programme Terricone by Anna Korsun on the program by Rundfunk-Sinfonieorchester Berlin under Vladimir Jurowski in Berliner Philharmoniker.  Program: Anna Korsun – Terricone Alban Berg – Concert for violin and orchestra »Dem Andenken eines Engels« (Christian Tetzlaff Violine) Johannes Brahms – Symphony Nr. 2 D-Dur op.

Location

Berlin, Berliner Philharmoniker
Berlin, Berliner Philharmoniker
Herbert-von-Karajan-Straße 1, 10785 Berlin, Germany
Website
https://www.berliner-philharmoniker.de/en/

Wednesday, 15 October 2025. 20:00 - 22:00

Krists Auznieks: Phaedra in vlammen

Phaedra in vlammen (Phaedra in Flames is a modern take on the classic love drama, written by Nino Haratischwili (who also wrote The Eighth Life (for Brilka)). Starring Malou Gorter as Queen Phaedra, Yela de Koning as her forbidden love Persea, and featuring live music by the New European Ensemble.

Location

Gouda, De Goudse Schouwburg
Boelekade 67, 2806 AE Gouda

Wednesday, 15 October 2025. 20:00 - 23:00

Simeon ten Holt: Canto Ostinato (Introdans)

Fascinating, meditative, and minimalist dance programme Less is More is a subtle yet uplifting dance programme, embodying simplicity, stillness, and momentum. An evening of dance heritage in motion, featuring works by leading choreographers Hans van Manen, Lucinda Childs, and Sidi Larbi Cherkaoui.

Location

Tiel, Agnietenhof
Sint Agnietenstraat 2, 4001 NB Tiel, Netherlands
Website
https://www.agnietenhof.nl

Our Team’s Picks

Composers in the crosshairs of our attention
Composer

Celia Swart

Celia Swart (1994, NL) is a new music composer, saxophone player and visual artist. Growing up playing saxophone and piano, she found her love for composing.
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Composer

Maxim Shalygin

January 30, 1985

"Creativity is an unconscious act of insanity, in a burst of which the truth is born. No matter how beautiful or disgusting it may seem to people far from madness, its value is beyond doubt, both for the author and for those able to sense its invisible beauty. After all, gratitude for endless trials and suffering brings joy and blissful emptiness… Being shocked by music is about pain turning into beauty and getting under your skin, taking away your breath; about everything stopping to move. I want to be scratched inside by sound and experience the fleeting, invisible beauty." - Maxim Shalygin

Read more
Composer

Michael Fine

Education Michael has a degree in English Literature from the State University of New York. Despite having no formal music education, he has an active international career in several aspects of the music business.
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Composer

Jan-Peter de Graaff

Netherlands, 1992,
"De Graaff is een alleskunner en een echte en helder opflitsende komeet aan het muzikale firmament die aan niemand ongemerkt voorbij kan gaan." - Maarten Brandt, Opus Klassiek
"De Graaff is een tovenaar met orkestkleuren in een taal die weliswaar van nu is, maar harmonisch ook vaak vertrouwd klinkt." - Paul Herruer, Dagblad van het Noorden
"De Graaffs grootste kracht schuilt in een paradox: stilstand die zindert van spanning." - Guido van Oorschot, De Volkskrant 
 
"Zijn muziek is in essentie atonaal, maar doordat ze niet is doodgesystematiseerd en De Graaff in de contouren en het verloop van zijn melodieën nog steeds romantisch durft te zijn, wordt de luisteraar met zachte, maar dwingende hand meegevoerd in het abstracte verhaal dat hij wil vertellen. Een grote troef is hierbij zijn orkestratiekunst. De muziek is kleurrijk, blijft altijd helder en verrassend." - Erik Voermans, Het Parool
 
"Had iemand mij van te voren voorspeld dat in een programma van Bach, Bartók en Jan-Peter de Graaff het stuk van de laatste mij het meest zou boeien, dan had ik dat niet geloofd. - Dingeman van Wijnen, Friesch Dagblad
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