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Victoria Vita Poleva: Symphony No. 3, White Interment

Saturday, 15 February 2025   |   19:30 - 21:00

Victoria Vita Poleva: Symphony No. 3, White Interment

John Storgårds, conductor

Gil Shaham, violin

 

Victoria POLEVÁ: Symphony No. 3, White Interment

DVOŘÁK: Violin Concerto

BRAHMS: Symphony No. 4

  • Composer(s): Victoria Polevá
  • Title(s) of the Work(s):

    Symphony No. 3, White Interment

  • Performer, Ensemble or Orchestra: Cincinnati Symphony Orchestra

Date

Feb 15 2025

Time

19:30 - 21:00

More Info

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Location

Cincinnati, Cincinnati Music Hall, Ohio, USA
Cincinnati, Cincinnati Music Hall, Ohio, USA
650 Walnut Street Cincinnati, Ohio 45202
Website
https://www.cincinnatiarts.org/music-hall
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Victoria Vita Poleva: Symphony No. 3, White Interment on Spotify

Victoria Vita Poleva: Symphony No. 3, White Interment on SoundCloud

for symphony orchestra
Victoria Poleva
Year of composition:
2003
Duration:
00:14:00
Publisher's Number: 24098
Buy score
Victoria Vita Polevá (also spelled:  Ukrainian: Вікторія Польова) is a Ukrainian pianist and composer. Born in Kyiv on 11 September 1962 to a family of musicians. She studied with, respectively, Ivan Karabyts and Levko Kolodub at the Kyiv Conservatory, where she herself taught composition from 1990 to 2005.
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Upcoming events

Friday, 14 February 2025. 20:00 - 21:30

Celia Swart / Ton de Leeuw

Something sizzles between the stones. It is the city, there is life.

Location

Delft, Nieuwe Kerk
Delft, Nieuwe Kerk
Markt 80, 2611 GW Delft, Netherlands
Website
https://www.oudeennieuwekerkdelft.nl

Friday, 14 February 2025. 11:30 - 24:30

Edward Top: Pots ‘n Pans Falling

AURA performs music that explores different viewpoints and perspectives. Canadian composer Edward Top’s “Pots ‘n Pans Falling” memorializes the victims of the Sandy Hook Elementary School mass shooting.

Location

Houston, Rice University: Shepherd School of Music, Texas, USA
Houston, Rice University: Shepherd School of Music, Texas, USA
Rice University Shepherd School of Music - MS 532 P.O. Box 1892 Houston, TX 77251-1892
Website
https://music.rice.edu

Friday, 14 February 2025. 11:00 - 13:00

Victoria Vita Poleva: Symphony No. 3, White Interment

John Storgårds, conductor Gil Shaham, violin   Victoria POLEVÁ: Symphony No. 3, White Interment DVOŘÁK: Violin Concerto BRAHMS: Symphony No.

Location

Cincinnati, Cincinnati Music Hall, Ohio, USA
Cincinnati, Cincinnati Music Hall, Ohio, USA
650 Walnut Street Cincinnati, Ohio 45202
Website
https://www.cincinnatiarts.org/music-hall

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Celia Swart

Celia Swart (1994, NL) is a new music composer, saxophone player and visual artist. Growing up playing saxophone and piano, she found her love for composing.
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Michael Fine

Education Michael has a degree in English Literature from the State University of New York. Despite having no formal music education, he has an active international career in several aspects of the music business.
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Maxim Shalygin

January 30, 1985

"Creativity is an unconscious act of insanity, in a burst of which the truth is born. No matter how beautiful or disgusting it may seem to people far from madness, its value is beyond doubt, both for the author and for those able to sense its invisible beauty. After all, gratitude for endless trials and suffering brings joy and blissful emptiness… Being shocked by music is about pain turning into beauty and getting under your skin, taking away your breath; about everything stopping to move. I want to be scratched inside by sound and experience the fleeting, invisible beauty." - Maxim Shalygin

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Composer

Jan-Peter de Graaff

Netherlands, 1992,
"De Graaff is een alleskunner en een echte en helder opflitsende komeet aan het muzikale firmament die aan niemand ongemerkt voorbij kan gaan." - Maarten Brandt, Opus Klassiek
"De Graaff is een tovenaar met orkestkleuren in een taal die weliswaar van nu is, maar harmonisch ook vaak vertrouwd klinkt." - Paul Herruer, Dagblad van het Noorden
"De Graaffs grootste kracht schuilt in een paradox: stilstand die zindert van spanning." - Guido van Oorschot, De Volkskrant 
 
"Zijn muziek is in essentie atonaal, maar doordat ze niet is doodgesystematiseerd en De Graaff in de contouren en het verloop van zijn melodieën nog steeds romantisch durft te zijn, wordt de luisteraar met zachte, maar dwingende hand meegevoerd in het abstracte verhaal dat hij wil vertellen. Een grote troef is hierbij zijn orkestratiekunst. De muziek is kleurrijk, blijft altijd helder en verrassend." - Erik Voermans, Het Parool
 
"Had iemand mij van te voren voorspeld dat in een programma van Bach, Bartók en Jan-Peter de Graaff het stuk van de laatste mij het meest zou boeien, dan had ik dat niet geloofd. - Dingeman van Wijnen, Friesch Dagblad
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