Simeon ten Holt’s Canto Ostinato can be heard as performed by Dré Wapenaar at his unique Atelier. 

Atelier Dré Wapenaar operates at the intersection of architecture, design, and sculpture, with sculpture forming its foundation. Working with sculptures presented in a three-dimensional context involves interacting with people who move in and around the work and are confronted by it. In the case of a tent, this movement is extended to people who also revolve around one another. The work is the result of an investigation into the way groups and individuals relate to each other. Tents, through the universal language they speak, offer the ultimate opportunity to shape this relationship in diverse ways.