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Vanessa Lann & Calliope Tsoupaki

Sunday, 17 March 2024   |   20:00 - 21:30

Vanessa Lann & Calliope Tsoupaki

Royal Light Festival is a free-to-attend light art festival in the heart of Apeldoorn and nature reserve De Veluwe. The festival can be visited from Wednesday March 13th until Sunday March 17th, 2024. Light art from across the globe is showcased in various locations in Apeldoorn. As the sun sets, the royal and green city awakens, painting the night with colourful shades, creating a truly majestic spectacle for all to enjoy. During the Royal Light Festival 2024, eleven different light artworks can be admired! Orkest De Ereprijs will perform twice in the Grote Kerk.

Step into the Grote Kerk and enter another universe with “Alley of Light,” an art installation of 2,000 handmade lights. The changing intensity creates a dynamic space. Serge Schoemaker, combines his architectural background with this heavenly play of light.

Program
Vanessa Lann – Distant Trinity
Corrie van Binsbergen – Sometimes I start with the sky
Seung-Won Oh – Modular 4 for Fourteen
Calliope Tsoupaki – Thin Air

  • Composer(s) Vanessa Lann & Calliope Tsoupaki
  • Title(s) of the Work(s)

    Vanessa Lann - Distant Trinity
    Calliope Tsoupaki - Thin Air
  • Performer, Ensemble or Orchestra De Ereprijs, Leon Frantzen conductor

Date

Mar 17 2024
Expired!

Time

20:00 - 21:30

More Info

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Location

Apeldoorn, Grote Kerk
Apeldoorn, Grote Kerk
Loolaan, 16, Apeldoorn
Website
https://www.grotekerkapeldoorn.nl

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Vanessa Lann & Calliope Tsoupaki on Spotify

Vanessa Lann & Calliope Tsoupaki on SoundCloud
Composer

Vanessa Lann

The majority of Vanessa Lann's compositions include aspects of ritual, ceremony or contemplation. She is interested in breaking with the conventional concert-hall approach to the performance and programming of music, and she frequently experiments with alternative ways of sharing sound, other media and time with audiences, often hoping to blur the boundary between art and daily experience. In her music Lann uses the repetition of recognizable figures, as well as layers of structures based on number ratios, to create a world in which each subtle element has a distinct meaning.
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Calliope Tsoupaki makes music that has a mood of timelessness. Her objective is expressing the essence as simply and clearly as possible. In her compositions she uses elements of early and contemporary music as well as the music of Greece and the Middle East. Combing these aspects, she skillfully creates a completely personal style.

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ATT 2015146 Vanessa Lann Moonshadow Sunshadow Various Artists  
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DCV 317 Calliope Tsoupaki Paraklitikon Kamerkoor Ad Parnassum and Anthony Zielhorst
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ATT 2023162 Calliope Tsoupaki Liknon PRJCT Amsterdam  
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Upcoming events

Wednesday, 5 November 2025. 19:45 - 22:45

Simeon ten Holt: Canto Ostinato (Introdans)

Fascinating, meditative, and minimalist dance programme Less is More is a subtle yet uplifting dance programme, embodying simplicity, stillness, and momentum. An evening of dance heritage in motion, featuring works by leading choreographers Hans van Manen, Lucinda Childs, and Sidi Larbi Cherkaoui.

Location

The Hague, Amare
The Hague, Amare
Spuiplein 150, 2511 DG Den Haag
Website
https://www.amare.nl/nl/

Wednesday, 5 November 2025. 19:30 - 22:00

Benjamin de Murashkin: LOGOS

Jessica Cottis conducts The Planets: expansive, spine-tingling music inspired by stars, celestial spheres and the cosmos. From ancient astronomers to NASA’s ‘Pale Blue Dot’, our place in the cosmos has captured imaginations since time immemorial. A storyteller’s inventory, this program draws on different knowledges to make meaning of the vastness of the universe.

Location

Canberra, Llewellyn Hall, ANU School of Music, Australia
Canberra, Llewellyn Hall, ANU School of Music, Australia
The Australian National University, Building 100 William Herbert Pl, Canberra ACT 2601, Australia
Website
https://llewellynhall.com.au

Thursday, 6 November 2025. 20:15 - 22:00

Robert Heppener / Ton Bruynel / Ton de Leeuw

In collaboration with the Conservatory of Amsterdam and docent Ralph van Raat, the Leiden Salon presents four concerts featuring Dutch (piano) music from the 20th century. Well-known and lesser-known composers will be featured. A nice touch is that three of these concerts will be given by (piano) students from abroad, a wonderful meeting of cultures.

Location

Leiden, De Leidse Salon
Leiden, De Leidse Salon
Hooglandsekerkgracht 17a, 2312 HS Leiden
Website
https://www.leidsesalon.nl

Our Team’s Picks

Composers in the crosshairs of our attention
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Michael Fine

Education Michael has a degree in English Literature from the State University of New York. Despite having no formal music education, he has an active international career in several aspects of the music business.
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Celia Swart

Celia Swart (1994, NL) is a new music composer, saxophone player and visual artist. Growing up playing saxophone and piano, she found her love for composing.
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Composer

Maxim Shalygin

January 30, 1985

"Creativity is an unconscious act of insanity, in a burst of which the truth is born. No matter how beautiful or disgusting it may seem to people far from madness, its value is beyond doubt, both for the author and for those able to sense its invisible beauty. After all, gratitude for endless trials and suffering brings joy and blissful emptiness… Being shocked by music is about pain turning into beauty and getting under your skin, taking away your breath; about everything stopping to move. I want to be scratched inside by sound and experience the fleeting, invisible beauty." - Maxim Shalygin

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Composer

Jan-Peter de Graaff

Netherlands, 1992,
"De Graaff is een alleskunner en een echte en helder opflitsende komeet aan het muzikale firmament die aan niemand ongemerkt voorbij kan gaan." - Maarten Brandt, Opus Klassiek
"De Graaff is een tovenaar met orkestkleuren in een taal die weliswaar van nu is, maar harmonisch ook vaak vertrouwd klinkt." - Paul Herruer, Dagblad van het Noorden
"De Graaffs grootste kracht schuilt in een paradox: stilstand die zindert van spanning." - Guido van Oorschot, De Volkskrant 
 
"Zijn muziek is in essentie atonaal, maar doordat ze niet is doodgesystematiseerd en De Graaff in de contouren en het verloop van zijn melodieën nog steeds romantisch durft te zijn, wordt de luisteraar met zachte, maar dwingende hand meegevoerd in het abstracte verhaal dat hij wil vertellen. Een grote troef is hierbij zijn orkestratiekunst. De muziek is kleurrijk, blijft altijd helder en verrassend." - Erik Voermans, Het Parool
 
"Had iemand mij van te voren voorspeld dat in een programma van Bach, Bartók en Jan-Peter de Graaff het stuk van de laatste mij het meest zou boeien, dan had ik dat niet geloofd. - Dingeman van Wijnen, Friesch Dagblad
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