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Ville Raasakka: The moss slowly growing

Wednesday, 13 July 2022   |   18:00 - 20:00

Ville Raasakka: The moss slowly growing

‘Jorden i mig’ is a production with five brand new pieces written for HAV. Each piece addresses an unique environmental problem in each of the five composers home countries.

  • Composer(s) Ville Raasakka
  • Title(s) of the Work(s)

    The moss slowly growing
  • Performer, Ensemble or Orchestra Hav Duo

Date

Jul 13 2022
Expired!

Time

18:00 - 20:00

More Info

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Location

Turku, St. Henrik Chapel, Finland
Turku, St. Henrik Chapel, Finland
Seiskarinkatu 35, 20900 Turku, Finland
Website
https://www.taidekappeli.fi

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Ville Raasakka: The moss slowly growing on Spotify

Ville Raasakka: The moss slowly growing on SoundCloud
Composer

Ville Raasakka

Ville Raasakka’s works are performed by the Klangforum Wien (Vienna), the Finnish Radio Symphony Orchestra, der/gelbe/klang (Munich), Mise-en Ensemble (New York), Dal Niente (Chicago), Ensemble Lemniscate (Basel) and the Finnish Baroque Orchestra at the most esteemed festivals such as Eclat (Stuttgart), June in Buffalo (Buffalo), Tage der Neuen Musik Bamberg (Bamberg), Festival Archipel (Geneva) and […]
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Upcoming events

Wednesday, 5 November 2025. 19:45 - 22:45

Simeon ten Holt: Canto Ostinato (Introdans)

Fascinating, meditative, and minimalist dance programme Less is More is a subtle yet uplifting dance programme, embodying simplicity, stillness, and momentum. An evening of dance heritage in motion, featuring works by leading choreographers Hans van Manen, Lucinda Childs, and Sidi Larbi Cherkaoui.

Location

The Hague, Amare
The Hague, Amare
Spuiplein 150, 2511 DG Den Haag
Website
https://www.amare.nl/nl/

Wednesday, 5 November 2025. 19:30 - 22:00

Benjamin de Murashkin: LOGOS

Jessica Cottis conducts The Planets: expansive, spine-tingling music inspired by stars, celestial spheres and the cosmos. From ancient astronomers to NASA’s ‘Pale Blue Dot’, our place in the cosmos has captured imaginations since time immemorial. A storyteller’s inventory, this program draws on different knowledges to make meaning of the vastness of the universe.

Location

Canberra, Llewellyn Hall, ANU School of Music, Australia
Canberra, Llewellyn Hall, ANU School of Music, Australia
The Australian National University, Building 100 William Herbert Pl, Canberra ACT 2601, Australia
Website
https://llewellynhall.com.au

Thursday, 6 November 2025. 18:00 - 20:00

Victoria Vita Poleva: The Crossing Machine

An evening of classical vocal and instrumental music with a focus on Australian and Ukrainian composers.

Location

Melbourne, Collins St Baptist Church, Australia
Melbourne, Collins St Baptist Church, Australia
170 Collins St, Melbourne Vic 3000, Australia
Website
https://www.csbc.org.au

Our Team’s Picks

Composers in the crosshairs of our attention
Composer

Celia Swart

Celia Swart (1994, NL) is a new music composer, saxophone player and visual artist. Growing up playing saxophone and piano, she found her love for composing.
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Composer

Maxim Shalygin

January 30, 1985

"Creativity is an unconscious act of insanity, in a burst of which the truth is born. No matter how beautiful or disgusting it may seem to people far from madness, its value is beyond doubt, both for the author and for those able to sense its invisible beauty. After all, gratitude for endless trials and suffering brings joy and blissful emptiness… Being shocked by music is about pain turning into beauty and getting under your skin, taking away your breath; about everything stopping to move. I want to be scratched inside by sound and experience the fleeting, invisible beauty." - Maxim Shalygin

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Composer

Michael Fine

Education Michael has a degree in English Literature from the State University of New York. Despite having no formal music education, he has an active international career in several aspects of the music business.
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Composer

Jan-Peter de Graaff

Netherlands, 1992,
"De Graaff is een alleskunner en een echte en helder opflitsende komeet aan het muzikale firmament die aan niemand ongemerkt voorbij kan gaan." - Maarten Brandt, Opus Klassiek
"De Graaff is een tovenaar met orkestkleuren in een taal die weliswaar van nu is, maar harmonisch ook vaak vertrouwd klinkt." - Paul Herruer, Dagblad van het Noorden
"De Graaffs grootste kracht schuilt in een paradox: stilstand die zindert van spanning." - Guido van Oorschot, De Volkskrant 
 
"Zijn muziek is in essentie atonaal, maar doordat ze niet is doodgesystematiseerd en De Graaff in de contouren en het verloop van zijn melodieën nog steeds romantisch durft te zijn, wordt de luisteraar met zachte, maar dwingende hand meegevoerd in het abstracte verhaal dat hij wil vertellen. Een grote troef is hierbij zijn orkestratiekunst. De muziek is kleurrijk, blijft altijd helder en verrassend." - Erik Voermans, Het Parool
 
"Had iemand mij van te voren voorspeld dat in een programma van Bach, Bartók en Jan-Peter de Graaff het stuk van de laatste mij het meest zou boeien, dan had ik dat niet geloofd. - Dingeman van Wijnen, Friesch Dagblad
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