‘Concerto Rosso’ (2017) is a sort of concerto grosso, because it was written for string quartet and string orchestra, especially for Atom String Quartet and Leopoldinum String Orchestra. I liked to name it ‘rosso’ for a good reason. It fits my new composition style that I came up with a few years ago, called ‘musique surrealistique’. In this style I not only try to ‘transform’ the nature and music conventions but above all the emotions connected with music… It is like drinking a good glass of red wine, after which you can also change a bit or transform… is it not? Of course this is a metaphor and I do not encourage you to get drunk while composing. I myself don’t do this, but what I try to do is to transform reality into my new composition technique. So far I manage to maintain a proper balance between content and form, and the musical language that I cultivate does not disturb (generally speaking) the harmony of the universe…
‘Concerto Rosso’ – although composed in strict measures – gives great possibilities for improvisation. Let me put it like this: I prefer to write exactly what I want to hear. From there you can move away, rather than doing it the opposite way: in a sense I am the architect of the idea where the musical material is more controlled by the performers. I myself improvise and play jazz too … It will be good!
(Hanna Kulenty, november 2017)
Info about the concert
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