The new performances of Chiel Meijering’s opera *Bluebeard* at Holland Opera has garnered overwhelmingly positive reviews, by the NRC and De Volkskrant mention a fresh and captivating interpretation of the classic tale of Bluebeard. This innovative production, featuring a unique English libretto by Joke Hoolboom, diverges from Béla Bartók’s renowned version by expanding the narrative and character dynamics, offering audiences a deeper exploration of themes surrounding secrecy, violence, and the complexities of human relationships.
Set against the stunning backdrop of the Werkspoorkathedraal in Utrecht, the opera features a talented cast, including soprano Elisabeth Hetherington as Judith and tenor Niek Idelenburg in the titular role. Critics have praised Hetherington’s performance, describing her voice as “pure” and “magically floating,” which brings a compelling depth to her character. Idelenburg’s portrayal of Bluebeard has also been highlighted, as he fearlessly navigates the challenging vocal demands of the role, showing a charismatic presence that captivates the audience from the very beginning of the performance.
The production embraces a modern aesthetic, opening with a dynamic pop concert atmosphere that sets the stage for the unfolding drama. The innovative use of a rotating set, designed specifically for the expansive cathedral space, enhances the storytelling by visually representing the many doors of Bluebeard’s castle and the secrets they conceal. The presence of six dancers from DOX, who embody the spirits of Bluebeard’s previous brides, adds a haunting layer to the narrative, as they gracefully illustrate the tragic fates of these characters.
Musically, Meijering’s score is characterized by contrasts, blending elements of classical orchestration with rock influences. The orchestra, though smaller than Bartók’s, effectively captures the emotional intensity of the story, utilizing guitar, bass, percussion, and strings to create a rich soundscape. The music oscillates between lyrical passages and more aggressive, tension-filled moments, reflecting the psychological turmoil of the characters. The incorporation of “Hitchcock-like” violin chords heightens the suspense, drawing the audience deeper into Bluebeard’s dark world.
The opera not only revisits the tale of Bluebeard but also addresses broader themes such as the violation of privacy and the fears surrounding intimacy and mortality. Hoolboom’s direction emphasizes the inner struggles of both Bluebeard and Judith, culminating in a poignant message about solidarity among women in the face of violence. The conclusion, where Judith survives through the support of her sister and the spirits of past brides, resonates powerfully, leaving the audience with a sense of hope amidst the darkness.
Overall, *Bluebeard* by Holland Opera stands as a testament to the evolving landscape of contemporary opera, merging traditional storytelling with modern sensibilities, and has set a high bar for future productions.
Composers in the crosshairs of our attention