AR 00080 – Molly Sanford Plays Allen Sapp

Though first known through his collaboration with director Barrie Kosky in the Opera Australia production of his The Ascension of Robert Flau (1990), Douglas Knehans (b. 1957) is perhaps best known for his orchestral compositions. In this music the study of orchestral mass, expressive impact and sonic brilliance drive his musical language.

AR 00070 Various Composers Deus et Machina CCM Chorale and Brett Scott  

AR – 00071 Symon Clarke Echo’s Dream: Music of Symon Clarke Members of the Brno Philharmonic Orchestra, Mikel Toms and Symon Clarke

AR 00073 Various Composers Wind Orchestra Masters, Vol.

AR 00078 Various Composers Electronic Masters, Vol.

AR 00072 Various Composers Watching Glass, I Hear You Leandra Ramm and Michael Delfin  

AR 00076 Various Composers Orchestral Masters, Vol.

AR 00077 Various Composers New Choral Voices, Vol.

AR 00079 Symon Clarke Concerto for Violoncello and Orchestra (Tupaia’s Map) Alexander Baillie, Mikel Toms, Royal Scottish National Orchestra and Brno Philharmonic Orchestra  

Celia Swart (1994, NL) is a new music composer, saxophone player and visual artist. Growing up playing saxophone and piano, she found her love for composing.

Education Michael has a degree in English Literature from the State University of New York. Despite having no formal music education, he has an active international career in several aspects of the music business.

"Creativity is an unconscious act of insanity, in a burst of which the truth is born. No matter how beautiful or disgusting it may seem to people far from madness, its value is beyond doubt, both for the author and for those able to sense its invisible beauty. After all, gratitude for endless trials and suffering brings joy and blissful emptiness… Being shocked by music is about pain turning into beauty and getting under your skin, taking away your breath; about everything stopping to move. I want to be scratched inside by sound and experience the fleeting, invisible beauty." - Maxim Shalygin