World premiere of ‘Ausschweifungen’ commissioned to a jong Dutch composer Rick van Veldhuizen by the Nederlands Chamber Orchestra is to hear from 1 to 5 December in Concertgebouw, TivoliVredenburg and Philharmonie Haarlem.
World premiere of ‘Ausschweifungen’ commissioned to a jong Dutch composer Rick van Veldhuizen by the Nederlands Chamber Orchestra is to hear from 1 to 5 December in Concertgebouw, TivoliVredenburg and Philharmonie Haarlem.
World premiere of ‘Ausschweifungen’ commissioned to a jong Dutch composer Rick van Veldhuizen by the Nederlands Chamber Orchestra is to hear from 1 to 5 December in Concertgebouw, TivoliVredenburg and Philharmonie Haarlem.
World premiere of ‘Ausschweifungen’ commissioned to a jong Dutch composer Rick van Veldhuizen by the Nederlands Chamber Orchestra is to hear from 1 to 5 December in Concertgebouw, TivoliVredenburg and Philharmonie Haarlem.
World premiere of ‘Ausschweifungen’ commissioned to a jong Dutch composer Rick van Veldhuizen by the Nederlands Chamber Orchestra is to hear from 1 to 5 December in Concertgebouw, TivoliVredenburg and Philharmonie Haarlem.
Amsterdam Sinfonietta and the prize-winning recorder player Lucie Horsch take their audience on a hallucinatory trip through time, travelling from Italy, via England to Hungary.
Amsterdam Sinfonietta and the prize-winning recorder player Lucie Horsch take their audience on a hallucinatory trip through time, travelling from Italy, via England to Hungary.
Amsterdam Sinfonietta and the prize-winning recorder player Lucie Horsch take their audience on a hallucinatory trip through time, travelling from Italy, via England to Hungary.
Amsterdam Sinfonietta and the prize-winning recorder player Lucie Horsch take their audience on a hallucinatory trip through time, travelling from Italy, via England to Hungary.
Amsterdam Sinfonietta and the prize-winning recorder player Lucie Horsch take their audience on a hallucinatory trip through time, travelling from Italy, via England to Hungary.
Amsterdam Sinfonietta and the prize-winning recorder player Lucie Horsch take their audience on a hallucinatory trip through time, travelling from Italy, via England to Hungary.
The Rotterdams Philharmonisch Orkest will open its 2023-2024 season with a program titled ‘Someday We’ll Find Us’ curated and conducted by Manoj Kamps.
Jubilee Shirt (2021) for trumpet, percussion, harp, viola and orchestra by Swedish composer Lisa Streich and Nuits (2022) for chamber ensemble by French composer Othman Louati are the winning works of the 69th International Rostrum of Composers (IRC) in The Hague.
Is it another piano, or what else? Rick van Veldhuizen spent months tuning to make “Lanterns (lointaines)” heard in a perfectly just (in other words ‘pure’) tuning.
The 31st of the Dutch String Players Guild will take place from 19 to 28 July 2024. The title of the program, A Second Home, refers to the repertoire in both a literal and figurative sense.
The 31st of the Dutch String Players Guild will take place from 19 to 28 July 2024. The title of the program, A Second Home, refers to the repertoire in both a literal and figurative sense.
The 31st of the Dutch String Players Guild will take place from 19 to 28 July 2024. The title of the program, A Second Home, refers to the repertoire in both a literal and figurative sense.
Jakub Polaczyk (born in 1983 in Poland) is a Polish-American composer, pianist, and pedagogue interested in surreal and synthetic art. He graduated from the Penderecki Music Academy, Jagiellonian University and Carnegie Mellon University. He studied with: Krzysztof Penderecki, Marcel Chyrzyński, Marek Chołoniewski, Reza Vali, Jan van Landeghem.
Leonard Guillaume Samama komt op 25 maart ter wereld in een muzikale joodse familie in Apeldoorn. Zijn moeder, Ans Samama-Polak, is een amateurcelliste en als oefentherapeut Mensendieck auteur van het boek 'Musiceren zonder pijn'. Zijn vader Sylvio is oprichter van de platenmaatschappij Iramac en een vooraanstaand impresario. De jonge Leo leert dwarsfluit spelen en begint in zijn tienerjaren al te componeren. Tijdens zijn studie Muziekwetenschap aan de Universiteit Utrecht (1970-1977) studeert hij enige jaren compositie bij Rudolf Escher. In 1975 schrijft hij met 'Tombeau concertant pour Frank Martin' voor twee violen en strijkorkest, zijn officiële opus 1. Met steun van een Rotarybeurs voltooit hij zijn studie aan de Universiteit van California in Los Angeles. Al tijdens deze studie geeft hij lezingen over de Nederlandse muziek van de twintigste eeuw.
Ville Raasakka’s works are performed by the Klangforum Wien (Vienna), the Finnish Radio Symphony Orchestra, der/gelbe/klang (Munich), Mise-en Ensemble (New York), Dal Niente (Chicago), Ensemble Lemniscate (Basel) and the Finnish Baroque Orchestra at the most esteemed festivals such as Eclat (Stuttgart), June in Buffalo (Buffalo), Tage der Neuen Musik Bamberg (Bamberg), Festival Archipel (Geneva) and […]