Robert Groslot – Scarlatti: Sonata Fantasia

The sound universe of Belgian composer Robert Groslot fuses Anglo-Saxon, Germanic and Latin elements into a new and highly malleable language, building upon the achievements of the great composers of the Western heritage. Form virtuosity, sound refinement, wittiness, ‘rediscovered’ tonality and rhythmical adventure are the keystones of the music of Robert Groslot. He often draws inspiration from other art forms, especially poetry and painting. His work catalogue consists of large orchestral works, 25 concertos, two symphonies, three multimedia works, two chamber operas  and many solos and chamber music.

“He is a composer with a natural, surprising, in a pleasant way between heaven and earth hanging idiom and with the craftsmanship of the tradition to which his work refers.”

(Luister – January 2015)

The Brussels Symphonic Orchestra recorded the ‘Second Concerto for Violin and Orchestra, Op.

Robert Groslot Concerti Roeland Hendrikx, Jan Michiels Brussels Philharmonic, Il Novecento

Ville Raasakka’s works are performed by the Klangforum Wien (Vienna), the Finnish Radio Symphony Orchestra, der/gelbe/klang (Munich), Mise-en Ensemble (New York), Dal Niente (Chicago), Ensemble Lemniscate (Basel) and the Finnish Baroque Orchestra at the most esteemed festivals such as Eclat (Stuttgart), June in Buffalo (Buffalo), Tage der Neuen Musik Bamberg (Bamberg), Festival Archipel (Geneva) and […]

Jakub Polaczyk (born in 1983 in Poland) is a Polish-American composer, pianist, and pedagogue interested in surreal and synthetic art. He graduated from the Penderecki Music Academy, Jagiellonian University and Carnegie Mellon University. He studied with: Krzysztof Penderecki, Marcel Chyrzyński, Marek Chołoniewski, Reza Vali, Jan van Landeghem.

Luc Brewaeys was born in 1959 in Mortsel (Belgium). He studied composition with André LAPORTE in Brussels, with Franco DONATONI in Siena (Italy) and with Brian FERNEYHOUGH in Darmstadt (Germany). From 1980 to 84 he had regular contacts with Iannis XENAKIS in Paris. He is also conductor, pianist and works since 1985 as recording producer at the VRT (Flemish Radio & Television).

Leonard Guillaume Samama komt op 25 maart ter wereld in een muzikale joodse familie in Apeldoorn. Zijn moeder, Ans Samama-Polak, is een amateurcelliste en als oefentherapeut Mensendieck auteur van het boek 'Musiceren zonder pijn'. Zijn vader Sylvio is oprichter van de platenmaatschappij Iramac en een vooraanstaand impresario. De jonge Leo leert dwarsfluit spelen en begint in zijn tienerjaren al te componeren. Tijdens zijn studie Muziekwetenschap aan de Universiteit Utrecht (1970-1977) studeert hij enige jaren compositie bij Rudolf Escher. In 1975 schrijft hij met 'Tombeau concertant pour Frank Martin' voor twee violen en strijkorkest, zijn officiële opus 1. Met steun van een Rotarybeurs voltooit hij zijn studie aan de Universiteit van California in Los Angeles. Al tijdens deze studie geeft hij lezingen over de Nederlandse muziek van de twintigste eeuw.