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Martyna Kosecka at Warsaw Autumn Festival

Sunday, 18 September 2022   |   16:00 - 18:00

Martyna Kosecka at Warsaw Autumn Festival

Premiere of composition éskhatos | at one end of a continuum for amplified harpsichord and multichannel electronics at the Festival of Contemporary Music “Warsaw Autumn”

  • Composer(s) Martyna Kosecka
  • Title(s) of the Work(s)

    éskhatos | at one end of a continuum for amplified harpsichord and multichannel electronics
  • Performer, Ensemble or Orchestra Gośka Isphording harpsichord , Martyna Kosecka electronics

Date

Sep 18 2022
Expired!

Time

16:00 - 18:00

More Info

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Location

Warsaw, , ATM Studio
Wał Miedzeszyński 384, 03-994 Warsaw,, Poland

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Composer

Martyna Kosecka

Martyna Kosecka was born in 1989, Gdynia, Poland. She obtained an MA degree in the composition class of professor Krzysztof Meyer, BA degree in orchestral conducting in class of maestro Rafał Jacek Delekta in Music Academy in Kraków, and MA in orchestral conducting in the class of maestro Szymon Bywalec in Music Academy in Katowice.
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World premiere by Martyna Kosecka at Nordic Music Days 2022.
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“Weightlessness” for chamber ensemble is inspired by the works of Stanisław Lem and celebrates the centenary of his birth in 2021. The piece takes up the theme of weightlessness and the specific abstract thinking about the relationship between the pressure described in music – “heaviness of composed sounds” – and their dispersion in acoustic space.
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Through musical interpretation, the two opposing social attitudes take on metaphorical meaning: the traditional, stable for centuries and embodied by ‘monolith’, and the still elusive and volatile change embodied by ‘transparency’.
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Homāio stands for a legendary mythical bird from the Iranian legends and Sufi fables. It is said that it never lands and spends its entire life in flight. It flies invisibly high above the earth, impossible to detect with human eyes. If its shadow falls upon you, you will be blessed with good fortune.
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Arkhḗ: Noise Maps for amplified string quartet, electronics and 3D mapping by Martyna Kosecka will be played at an installation opening of the Warsaw Autumn Festival, three times this day. The performance is in hands of the NeoQuartet with video layer by Aleksandra Ołdak.
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Upcoming events

Sunday, 28 September 2025. 20:00 - 21:30

Alexandre Rabinovitch-Barakovsky: Die Zeit

Two pieces by Alexandre Rabinovitch-Barakovsky – Die Zeit and Liebliches Lied – are on the program of the HortusFestival. The HortusFestival 2025 presents concerts with a beautiful and unique story in stunning locations. Away from the large concert halls, nestled among the greenery, you’ll find the DoelenEnsemble.

Location

Rotterdam, Rozenlust
Rotterdam, Rozenlust
Parklaan 11, 3016 BA Rotterdam
Website
https://rozenlust.nl

Sunday, 28 September 2025. 14:30 - 17:00

Jan-Peter de Graaff: Hagar, an opera in 4 scenes

On Thursday, May 15th, the Nederlandse Reisopera presented its upcoming season with a brand new opera.  A bold and creative partnership between composer Jan-Peter de Graaff and librettist Eleanor Barlow, Hagar is a daring, modern and fiercely human reimagining of the ancient tale that explores resilience, scandal, and consequence.

Location

Enschede, Wilminktheater
Enschede, Wilminktheater
Noorderhagen 27, 7511 EK Enschede
Website
https://www.wilminktheater.nl/nl/

Sunday, 28 September 2025. 17:00 - 19:00

Calliope Tsoupaki: Poem for an empty world

A new commission for string quartet and piano by the Greek-Dutch composer Calliope Tsoupaki ‘Poem for an empty world’ is inspired by a key element of her homeland: the sea. Her composition will premiere on Saturday, September 28th, at the September Me festival. Enter a world where classical and modern seamlessly merge.

Location

Amersfoort, Flint Theater
Amersfoort, Flint Theater
Coninckstraat 60, 3811 WK Amersfoort
Website
https://flint.nl

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Composer

Jan-Peter de Graaff

Netherlands, 1992,
"De Graaff is een alleskunner en een echte en helder opflitsende komeet aan het muzikale firmament die aan niemand ongemerkt voorbij kan gaan." - Maarten Brandt, Opus Klassiek
"De Graaff is een tovenaar met orkestkleuren in een taal die weliswaar van nu is, maar harmonisch ook vaak vertrouwd klinkt." - Paul Herruer, Dagblad van het Noorden
"De Graaffs grootste kracht schuilt in een paradox: stilstand die zindert van spanning." - Guido van Oorschot, De Volkskrant 
 
"Zijn muziek is in essentie atonaal, maar doordat ze niet is doodgesystematiseerd en De Graaff in de contouren en het verloop van zijn melodieën nog steeds romantisch durft te zijn, wordt de luisteraar met zachte, maar dwingende hand meegevoerd in het abstracte verhaal dat hij wil vertellen. Een grote troef is hierbij zijn orkestratiekunst. De muziek is kleurrijk, blijft altijd helder en verrassend." - Erik Voermans, Het Parool
 
"Had iemand mij van te voren voorspeld dat in een programma van Bach, Bartók en Jan-Peter de Graaff het stuk van de laatste mij het meest zou boeien, dan had ik dat niet geloofd. - Dingeman van Wijnen, Friesch Dagblad
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Michael Fine

Education Michael has a degree in English Literature from the State University of New York. Despite having no formal music education, he has an active international career in several aspects of the music business.
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Maxim Shalygin

January 30, 1985

"Creativity is an unconscious act of insanity, in a burst of which the truth is born. No matter how beautiful or disgusting it may seem to people far from madness, its value is beyond doubt, both for the author and for those able to sense its invisible beauty. After all, gratitude for endless trials and suffering brings joy and blissful emptiness… Being shocked by music is about pain turning into beauty and getting under your skin, taking away your breath; about everything stopping to move. I want to be scratched inside by sound and experience the fleeting, invisible beauty." - Maxim Shalygin

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Celia Swart

Celia Swart (1994, NL) is a new music composer, saxophone player and visual artist. Growing up playing saxophone and piano, she found her love for composing.
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