Peter Kerkelov / Svyatoslav Lunyov / Maxim Shalygin
Although originally intended as mere technical exercises, Antonii Baryshevskyi shows the breathtaking beauty of etudes. Chopin, Liszt and Debussy reimagined etudes as virtuoso concert pieces, and Baryshevskyi combines them with contemporary pieces by Svyatoslav Lunyov and Maxim Shalygin. And then it becomes clear that an etude is more than just a technical exercise; it can also be subdued and vulnerable.
The raw simplicity of Shalygin’s Fetus Etudes, at times poignant and painful, goes straight to the heart. Sharing their Ukrainian heritage and a passion for music, Shalygin and Baryshevskyi bring out the best in each other. Since fleeing his homeland, Baryshevskyi has become an ambassador for Ukrainian music on the world stage.
Program:
Claude Debussy Etude No. 1 ‘Pour les cinq doigts (d’après Monsieur Czerny)’
Claude Debussy Etude No. 11 ‘Pour les arpèges composés’
György Ligeti Arc-en-ciel
György Ligeti Étude Fem
Peter Kerkelov Evening from Anthems of day and night
Svyatoslav Lunyov Adieu from Etudes
Franz Liszt Etude de Concert No. 1 ‘Waldesrauschen’
Franz Liszt Chasse-neige from Études d’exécution transcendante
Frédéric Chopin Étude Op. 10 No. 3 in E
Frédéric Chopin Étude Op. 10 No. 12 in C minor
Maxim Shalygin Fetus Etudes
– Angel
– Au vent sur la pointe des pieds
– TO ALL ALIVE
– TO ALL IN LOVE
– TO ALL RESURRECTED
- Composer(s) Peter Kerkelov / Svyatoslav Lunyov / Maxim Shalygin
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Title(s) of the Work(s)
- Peter Kerkelov Evening from Anthems of day and night
- Svyatoslav Lunyov Adieu from Etudes
- Maxim Shalygin Fetus Etudes
- Angel
- Au vent sur la pointe des pieds
- TO ALL ALIVE
- TO ALL IN LOVE
- TO ALL RESURRECTED - Performer, Ensemble or Orchestra Antonii Baryshevskyi piano
