DCV 284 – Gerard Beljon: The Cry of the Peacocks

Composer Gerard Beljon in his latest work ‘Me miseram quid agam/Min al acmaaq’ was inspired by the 12th-century Game from the Basilica of Our Lady and expressed his vision of what is happening in the world now, from the war violence in Ukraine to the horrors in the Middle East, in which the woman is […]

In his latest work ‘Me miseram quid agam/Min al acmaaq’, composer Gerard Beljon was inspired by the 12th-century Game from the Basilica of Our Lady and expressed his vision of what is happening in the world now, from the war violence in Ukraine to the horrors in the Middle East, in which the woman is […]

DCV 468 Gerard Beljon Me Miseram / Min al acmaaq Paloma Lazaro Arteaga, Rianne Wilbers, Raphaela Danksagmueller and Studium Chorale

Music by Carlo Gesualdo, Francis Poulenc, Ton de Leeuw, Olivier Messiaen and Gerard Beljon.

You may have been there when it premiered in 2022, Me miseram quid agam/Min al acmaaq; a work by Gerard Beljon, inspired by the 12th century Easter play from the Basilica of Our Lady, for Western and Arabic soprano and choir.

Education Michael has a degree in English Literature from the State University of New York. Despite having no formal music education, he has an active international career in several aspects of the music business.

Celia Swart (1994, NL) is a new music composer, saxophone player and visual artist. Growing up playing saxophone and piano, she found her love for composing.

"Creativity is an unconscious act of insanity, in a burst of which the truth is born. No matter how beautiful or disgusting it may seem to people far from madness, its value is beyond doubt, both for the author and for those able to sense its invisible beauty. After all, gratitude for endless trials and suffering brings joy and blissful emptiness… Being shocked by music is about pain turning into beauty and getting under your skin, taking away your breath; about everything stopping to move. I want to be scratched inside by sound and experience the fleeting, invisible beauty." - Maxim Shalygin