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DCV 384 – Ton de Leeuw: Antigone

DCV 384

Ton de Leeuw

Antigone

Martine Mahé, Netherlands Radio Chamber Orchestra and Reinbert de Leeuw
Composer

Ton de Leeuw

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‘Transparence’ by Ton de Leeuw will be performed by the Nederlands Studenten Kamerkoor o.l.v. Béni Csillag in the periode from 3 to 19 March 2023.
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‘Transparence’ by Ton de Leeuw will be performed by the Nederlands Studenten Kamerkoor o.l.v. Béni Csillag in the periode from 3 to 19 March 2023.
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‘Transparence’ by Ton de Leeuw will be performed by the Nederlands Studenten Kamerkoor o.l.v. Béni Csillag in the periode from 3 to 19 March 2023.
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‘Transparence’ by Ton de Leeuw will be performed by the Nederlands Studenten Kamerkoor o.l.v. Béni Csillag in the periode from 3 to 19 March 2023.
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This year, the Nederlands Studenten Kamerkoor (NSK) is going in search of transparency – inspired by Ton de Leeuw’s intriguing choral work Transparence, which is on our program this year.
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In the Netherlands, contemporary choral music is an important part of the excellent and progressive choral scene. There are also countless repertoire treasures in early music – from Franco-Flemish vocal polyphony to music of the Renaissance and early Baroque.
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In the Netherlands, contemporary choral music is an important part of the excellent and progressive choral scene. There are also countless repertoire treasures in early music – from Franco-Flemish vocal polyphony to music of the Renaissance and early Baroque.
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Arrangement by Reinbert de Leeuw of Wagner’s Tristan and Isolda – on the program of Dubrovnik Symphony Orchestra at the Stradun Classic Festival, Croatia Program: Stradun Classic: For Dorea (In Memoriam OF DORA PEJACEVIC) C. Debussy: Prélude à l’après-midi, arr. Benno Sachs D. Pejačević: Piano quartet in D minor, Op.25 R.
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This spring, Photonen brings you a new a cappella program under the direction of conductor Jeroen Spitteler. Visions, desires, ambition and the pursuit of exaltation and fulfillment expand in Sur la terre… comme au ciel de horizon.
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Our Team’s Picks

Composers in the crosshairs of our attention

Composer

Michael Fine

Education Michael has a degree in English Literature from the State University of New York. Despite having no formal music education, he has an active international career in several aspects of the music business.
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Composer

Celia Swart

Celia Swart (1994, NL) is a new music composer, saxophone player and visual artist. Growing up playing saxophone and piano, she found her love for composing.
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Composer

Maxim Shalygin

January 30, 1985

"Creativity is an unconscious act of insanity, in a burst of which the truth is born. No matter how beautiful or disgusting it may seem to people far from madness, its value is beyond doubt, both for the author and for those able to sense its invisible beauty. After all, gratitude for endless trials and suffering brings joy and blissful emptiness… Being shocked by music is about pain turning into beauty and getting under your skin, taking away your breath; about everything stopping to move. I want to be scratched inside by sound and experience the fleeting, invisible beauty." - Maxim Shalygin

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Composer

Jan-Peter de Graaff

Netherlands, 1992,
"De Graaff is een alleskunner en een echte en helder opflitsende komeet aan het muzikale firmament die aan niemand ongemerkt voorbij kan gaan." - Maarten Brandt, Opus Klassiek
"De Graaff is een tovenaar met orkestkleuren in een taal die weliswaar van nu is, maar harmonisch ook vaak vertrouwd klinkt." - Paul Herruer, Dagblad van het Noorden
"De Graaffs grootste kracht schuilt in een paradox: stilstand die zindert van spanning." - Guido van Oorschot, De Volkskrant 
 
"Zijn muziek is in essentie atonaal, maar doordat ze niet is doodgesystematiseerd en De Graaff in de contouren en het verloop van zijn melodieën nog steeds romantisch durft te zijn, wordt de luisteraar met zachte, maar dwingende hand meegevoerd in het abstracte verhaal dat hij wil vertellen. Een grote troef is hierbij zijn orkestratiekunst. De muziek is kleurrijk, blijft altijd helder en verrassend." - Erik Voermans, Het Parool
 
"Had iemand mij van te voren voorspeld dat in een programma van Bach, Bartók en Jan-Peter de Graaff het stuk van de laatste mij het meest zou boeien, dan had ik dat niet geloofd. - Dingeman van Wijnen, Friesch Dagblad
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