DCV 460 – Tilen Lebar and Domen Gnezda: Floating Compression

Tilen Lebar (b.

In collaboration with South African poet Ronelda S.

Six Variations on Shalom Aleichem is part of Relocations: polyphony and identity, a site-specific multimedia performance-installation by Yael Levy and Nikos Kokolakis.

Posthumanism, as we might say, is where the bio-acoustics meet electronic forms, video and the sound of the oboe with saxophone.

We are already approaching the fifth edition of the Andriessen Festival! Together with Musis & Stadstheater Arnhem and Phion, Orchestra of Gelderland & Overijssel, Orkest De Ereprijs presents a program full of contemporary music in the footsteps of Louis Andriessen.

“From the beginning of the year 2021 and throughout February, I encountered the phenomenon of liminal space.

Inauguration Concert of accordionist and composer Luka Juhart

Electroacoustic spaces Accordion music and live analogue instruments, recordings and electronics.

Dedication to various preparations of the saxophone and thus the so-called alienation of the instrument brought me to clearly understand two things within the period of a decade.

Līmen IX (for violin, saxophones, percussion, accordion, tape & live electronics) In 2021, I encountered the phenomenon of liminal space, which was later constructed in interdisciplinary works and I have been researching it ever since.

EARTHBRIDE; An Immersive Fashion Experience Collaborate on the Earth Bride dress, made of biodegradable fabric and decorated with different seeds.

Listening Room with:: Tilen Lebar THURSDAY, OCTOBER 24, 2024 EVENT STARTS: 7 PM 169 BOWERY NYC New Ear’s Spatial Listening program focuses on spatial sound works, where the distribution and localization of sounds is a primary compositional parameter and a central feature for the listener.

[Oct 25 – 27] Limen VIII by Tilen Lebar An installation in a concert setting that intends to present a spectral mutation of the sonic material that initially reveals the sound of extensive improvisations with an electroacoustic guitar.

Luc Brewaeys was born in 1959 in Mortsel (Belgium). He studied composition with André LAPORTE in Brussels, with Franco DONATONI in Siena (Italy) and with Brian FERNEYHOUGH in Darmstadt (Germany). From 1980 to 84 he had regular contacts with Iannis XENAKIS in Paris. He is also conductor, pianist and works since 1985 as recording producer at the VRT (Flemish Radio & Television).

Ville Raasakka’s works are performed by the Klangforum Wien (Vienna), the Finnish Radio Symphony Orchestra, der/gelbe/klang (Munich), Mise-en Ensemble (New York), Dal Niente (Chicago), Ensemble Lemniscate (Basel) and the Finnish Baroque Orchestra at the most esteemed festivals such as Eclat (Stuttgart), June in Buffalo (Buffalo), Tage der Neuen Musik Bamberg (Bamberg), Festival Archipel (Geneva) and […]

Jakub Polaczyk (born in 1983 in Poland) is a Polish-American composer, pianist, and pedagogue interested in surreal and synthetic art. He graduated from the Penderecki Music Academy, Jagiellonian University and Carnegie Mellon University. He studied with: Krzysztof Penderecki, Marcel Chyrzyński, Marek Chołoniewski, Reza Vali, Jan van Landeghem.